Cody Johnson (Cody Glenn Johnson III) Quotes
I don't know about one moment that has pivoted my career. I do know that one thing that hit me and made me take a few steps back was a year at Steamboat.
Quotes to Explore
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New York City has no need to move on from 9/11 because, in a sense, it moved on days after, moments after.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
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You aren't ill: it is just that you are made of second-rate materials.
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The day after I had my licence to drive, I made Paris/Nice at 230 km/hour.
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I have both joyful and heartbreaking moments in life, even now. Stardom doesn't give us everything.
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I definitely use my music to kind of alleviate my stress and get me through specific moments in time where I'm just being really tough on myself.
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Even though people may be well known, they hold in their hearts the emotions of a simple person for the moments that are the most important of those we know on earth: birth, marriage and death.
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There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.
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We don't really see a lot of comedic moments in '24.' In fact, I haven't seen all of it, but from what I have seen, I don't know if I've ever laughed at anything that anyone has done on '24.'
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Tradition has made women cowardly.
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I made the film in spite of Harvey, not because of Harvey.
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I steal from every movie ever made.
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The reason that gets me is, and the greatest part of my job and what I do, is the humanity of it and there’s certain moments where that really cuts through.
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I have always found the baptism of Jesus, with a dove descending and voice from Heaven, one of the great moments in the Jesus story. This is where Jesus hears the deep call from God.
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It's funny, one of my most solid carpet moments happened in the very beginning, before I started thinking that I needed all these other people to do my hair and makeup, and pick out my clothes. I wore a cheetah sweater and a red hat, and it's one of my favorite looks, even still.
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I don't have to chase extraordinary moments to find happiness - it's right in front of me if I'm paying attention and practicing gratitude.
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I don't know anything about the Appalachian mountains or cowboys and Indians or anything. I just made it up.
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This is who I am. I'm not perfect. I don't want to try to be perfect.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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The pioneering instrument of reform was the Bank of England. Of all institutions concerned with economics none has for so long enjoyed such prestige. It is, in all respects, to money as St. Peter's is to Faith.
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On a good day, I view the job [of president] as directing an orchestra. On the dark days, it is more like that of a clutch -- engaging the engine to effect forward motion, while taking greater friction.
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I don't know about one moment that has pivoted my career. I do know that one thing that hit me and made me take a few steps back was a year at Steamboat.
