Colin Callender Quotes
I live in New York, so I'm used to the audiences that cheer and clap through a play. It is unusual for London audiences.
Quotes to Explore
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If I can create some space that people haven't experienced before and if it stays with them or gives them a dream for the future, that's the kind of structure I seek to create.
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Hash browns are my favorite breakfast food.
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During my first round of law school applications, I didn't even apply to Yale, Harvard, or Stanford - the mystical 'top three' schools. I didn't think I had a chance at those places. More important, I didn't think it mattered; all lawyers get good jobs, I assumed.
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I try to cancel out every possibility of losing the fight, and this runs through my head all day long. I'm seeing myself become smashed in the face, cut, or being submitted or being knocked out in so many different ways all day long.
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Money is the string with which a sardonic destiny directs the motions of its puppets.
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I'm disappearing from twitter for a while. Need a break from the bile. Local prejudice just seems to bring out the worst in some people.
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You know, everybody believes in free speech until you start questioning them about it.
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The tang of tamarind is a great way both to flavour and lighten up slow-cooked savoury dishes.
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Of all of our inventions for mass communication, pictures still speak the most universally understood language.
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I'm about as healthy as a person can be. I quit smoking seven or eight years ago.
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He had a startling genius, but somehow it did n't emerge;Always on the evolution of things that would n't evolve;Always verging toward some climax, but he never reached the verge;Always nearing the solution of some theme he could not solve.
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In order to be who you are as a human being, you need to be willing to upset people.
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'Journey' is a way for us to explore the crossing, the intersection of our lives between each other.
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You have to perform at a consistently higher level than others. That's the mark of a true professional.
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I don't like losing. I don't like to be in a losing position, and I show this a lot. I demonstrate on the pitch.
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Our Age of Anxiety is, in great part, the result of trying to do today's job with yesterday's tools and yesterday's concepts.
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I just try to play as hard as I can every possession. If you're aware and you're high-energy, the ball will eventually bounce your way and you'll be able to make plays.
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What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.
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I remember the first time I ever showed my parents a song that I had written. The content may have been a little darker than they were used to, or really introspective in a way that may have been uncomfortable. I thought they'd retaliate with some kind of judgment or concern about whether I was feeling all right, but they were proud of it.
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I'm my biggest critic. I want there to be no flaws when you hear it. When I think that maybe it's ready, I just hop in my car it's gotta have some bump - and go to corner stores, youngsters on the block, play it for anyone. If they get into it, I get a reaction, the song passes the hyphy test. If it's just cool, we throw it away; it's not going on the record. But if it makes you wanna move - seriously - if it makes you react the same way I felt, then it passes.
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On the very rare occasion when they don't all jump up out of their seats I'm always mortified.
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We performed at the VMAs, which is crazy because we grew up watching that show and all of our inspirations and idols were there.
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Like red meat thrown before the Atkins crowd in the Republican Party, the initiative would teach problem solving, negotiating, and listening skills, which might then trickle up to the Bush Administration.
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I live in New York, so I'm used to the audiences that cheer and clap through a play. It is unusual for London audiences.
