Ram Charan Quotes
I would love to work with Raju Hirani. I never thought I would have a wish-list of directors as such, but after seeing the consistency of his storylines and the human touch he gets in his film, I would love to work with him.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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My parents got to see all my hard work pay off.
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
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How do you deal with a criminal that will not listen to what you have to say and who continues his policy of violence? Some say you continue to talk and let him tire himself out. But nearly 40 years after the institution of apartheid, is there anyone who still believes that verbal persuasion will work?
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This woman's work is exceptional. Too bad she's not a man.
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Our enemies can deal a blow to us any time they wish. They did not wait for permission to do this. They do not deal a blow with prior notice. They do not take action because they can't.
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I would love to go to the Himalayas and cross over into Nepal to do the Darjeeling Himalayan Railway.
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I always have music. I love it to be very upbeat. When you're having drinks, I like something like Cesaria Evora. During dinner, I like the much more traditional - old Frank Sinatra and things like that.
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I cannot imagine a more enjoyable place to work than in the Laboratory of Molecular Biology where I work.
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What is sad for women of my generation is that they weren't supposed to work if they had families. What were they going to do when the children are grown - watch the raindrops coming down the window pane?
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Majesty and love do not consort well together, nor do they dwell in the same place.
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The most frightening pages of history are those which reveal how easily conditions making a desert of the human spirit may come into existence, with the oozings away of incentive and kindliness in our natural social structure.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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I go running three times a week - outside in the park, come rain or shine, and I hate every moment of it. I hate everything about it. But I know it's important for health reasons and the reason why I run, in particular, is because my stage work is like cardiovascular work so I don't want to lose my breath on stage.
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Teamwork requires some sacrifice up front; people who work as a team have to put the collective needs of the group ahead of their individual interests.
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What I love about collaborating is that you're working with other minds that work differently to yours.
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I feel like the world is dominated by such a small group of human beings. There are so many different kinds of people that aren't represented, that don't have characters who look like them. And that's one of the reasons why I intend on being a director, because I want to actually tell some of these stories. I also think that we place such intense emphasis on award shows when they're not necessarily the best reflection of how good the work is. We need to realize that art and creation are so much bigger than an award or any measure of accomplishment.
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The idea that an actress - mostly lauded for her performances in more than a dozen films - somehow represents a threat to Iran's national security is laughable at best. But in Ahangarani's case, far from anything humorous, the allegations have actually resulted in the sober prospect of real prison time.
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It's life, so you're a constant evolution of tragedies and achievements and ups and downs. You can probably get a little bit more immune to things, but whatever is the most amount of pain you feel at any given moment feels like the most amount of pain you'll ever feel.
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I would love to work with Raju Hirani. I never thought I would have a wish-list of directors as such, but after seeing the consistency of his storylines and the human touch he gets in his film, I would love to work with him.
