Harold Prince Quotes
Quotes to Explore
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The oldest books are only just out to those who have not read them.
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'Empathy' is the latest code word for liberal activism, for treating the Constitution as malleable clay to be kneaded and molded in whatever form justices want. It represents an expansive view of the judiciary in which courts create policy that couldn't pass the legislative branch or, if it did, would generate voter backlash.
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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For me, opposition is just another opposition.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I know what women want. They want to be beautiful.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I want to find a nice decent job as a helicopter pilot.
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Well, I didn't really have a plan. I just wanted a hit.
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Peter Sellers was just a brilliant actor, and also comedic.
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I want to be in 'Glee', but I'm told I'm not famous enough to be a cameo yet.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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It's so important to me to do the washing, do the Hoovering. I don't ever want to lose contact with that.
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If we want to make a statement about a man's nature on the basis of his physiognomy, we must take everything into account; it is in his distress that a man is tested, for then his nature is revealed.
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I naturally want to be provocative.
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I want to describe the psychological state of the people in a certain city.
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It takes the best part of a lifetime to find out what you don't want.
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Several of my critics have said, 'Bowerman just tacks up a piece of paper in the locker room and turns his runners loose.' They're partially right. I do give the athletes a relatively free rein and for good reason. One of my principles is? 'Don't overcoach.'
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I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
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Speaking out is important for me because everyone should be treated equally.
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If one thinks that one is happy, that is enough to be happy.
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I wouldn't want to be just pigeonholed as an extravagant director.
