Carine Roitfeld Quotes
My mom read French 'Elle' when I was a little girl, and so, when I was 15 or 16, I said, 'I want to work in fashion.'
Quotes to Explore
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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If you meet a girl, you meet a girl. It's normal, so if you exchange numbers, whatevs, it's cool.
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I'm involved in music and fashion a lot more than I used to be, so my style has definitely changed - for the better, of course. It's given me greater insight into what colours work, what looks good on camera, and what I feel comfortable in.
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My parents got to see all my hard work pay off.
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You aren't your work, your accomplishments, your possessions, your home, your family... your anything. You're a creation of your Source, dressed in a physical human body intended to experience and enjoy life on Earth.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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I was so worried when I left 'GH:' so scared I'd never work again.
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It was tough for him in that newsroom with Ted Baxter getting all the glory and this poor guy doing all the work. Murray worried so much he worried his hair off!
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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I had such a great mom and I know that I'd never be that mom. I wouldn't want to bring a child into this world unless I could be.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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What I see now is the consumerisation of IT. I don't want my company to tell me that I have to use a BlackBerry or I have to use a Windows phone. I just want to use the phone I want and have it all work.
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Sometimes I have these fantasies of just moving to a foreign country and coming back with a full head of hair. Or not even come back! Make a new life there with hair... Change my name, just see what happens.
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But once you become successful, everyone has an idea of what you should do.
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Whenever you find yourself on the side of the majority, it is time to pause and reflect.
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I think, 'Scott Pilgrim,' it was something where the general audience didn't necessarily understand straight away what it was.
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My mom read French 'Elle' when I was a little girl, and so, when I was 15 or 16, I said, 'I want to work in fashion.'
