Carine Roitfeld Quotes
Quotes to Explore
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As an organization, Esri is strong, and we're continuing to grow. We're dedicated to this. And we're excited to see what you can accomplish and to watch your work evolve.
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All writers are the same - they forget a thousand good reviews and remember one bad one.
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I don't know how people recognize me.
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I never really address myself to any image anybody has of me. That's like fighting with ghosts.
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One man can be a crucial ingredient on a team, but one man cannot make a team.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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I stand for freedom of expression, doing what you believe in, and going after your dreams.
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I know: I am a freakish geek. Or is that a geekish freak?
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I use the setting of a small rural Norwegian community - the kind of place that I know so intimately. I could never write a novel set in a big city, because, frankly, I don't know what it would be like.
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Family is very important to me because that is the footprint we perpetuate. That is, the ripple in the water when the rock first impacts the pool, and it is those waves, that energy that one produces, that determines our direction.
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I do think that I can sing, though I actually like voices I can't imitate.
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Even great actors shine brighter in the right atmosphere.
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If you give me any problem in America I can trace it down to domestic violence. It is the cradle of most of the problems, economic, psychological, educational.
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When I saw the first I couldn't believe I was in another great movie that would be made into a trilogy. This movie is quite visible and I think it will stand the test of time. I think kids and parents will love this movie for a long time.
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I like going into nature and that's where I'm happiest.
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I've always been very fond of animals.
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My childhood did not prepare me for the fact that the world is full of cruel and bitter things.
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I studied English at Princeton in the early eighties in what I consider a period of high obscurity. Professors and students ran around discussing the work of critics and philosophers that I doubt they'd read or understood.
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We two will stand beside that shrine, Occult, withheld, untrod, Whose lamps are stirr'd continually With prayer sent up to God; And see our old prayers, granted, melt Each like a little cloud.
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Even the art of quoting is a conservative art most of the time, in order to propel the same ideas and the same self-congratulatory importance.
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For years I drove cross-country, back and forth a dozen times, sometimes on book tour, sometimes just to get lost and found.
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I want to skydive.
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There had been rain but it had stopped, and the light from a luminously clouded sky was pewter-bright, and puddles on the road were shivering in the wind, and the rooks above the trees in St Anne's Park were being tossed about the air like scraps of charred paper.
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I was the muse of Tom Ford and Gucci for years, but that was a long time ago.
