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When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.
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I'm not the girl next door.
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I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
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I definitely want to work on a project with young designers, not just French but international.
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My hair and make-up secret is 'the messier the better.'
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Only buy clothes that you plan to keep forever. It's important to see trends for what they are: a game.
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Bleaching eyebrows makes me crazy.
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When I was working with Tom Ford, he would just look at me and ask, 'Will you wear it?' I'd say, 'Ah, too long, too short, lower waist, deeper V, unbutton' - that sort of thing. I don't create clothes, but I definitely know how to make them come alive.
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It's true I always like to mix femininity and something a bit masculine. It's the reason I love skirts with high heels and tights, and no handbag because I love having my hands in my pockets.
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I don't like Botox. It makes a very strange forehead.
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I miss my parents. But still, my granddaughter, my daughter, my grandma, you know, so it's very important for me. You lost your parents, but a new baby comes. It's like the cycle of fashion.
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Yes, I can speak a bit and I can read and write in Russian. I learned it from my grandmother who raised me with all the Russian fairytales.
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I'm not a Facebook girl. Even though there is a fake Facebook with my name, it's not me. I'm not on Twitter; it's not me.
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I could live very quietly, do advertising to earn money.
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I always try to be nice to the paparazzi because finally, maybe one day, they won't ask for me, and I will regret it.
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Fashion is a language, for sure, and it is a reflection of society.
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Like most Russians, I am very superstitious, and if I don't get married, I don't get divorced.
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When you get older, you have to stay a bit rock n' roll so that young people will still be interested in you. The way you move, the way you talk, maybe the way you have your hair in your face a little bit - this keeps you interesting.
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I've always used black girls on the runway, because I think they're beautiful. I don't need people to tell me, 'You need to use black girls.' I did for 20 years; it's not a new thing for me.
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I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
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I was never conscious that I was becoming an icon or I'm not an icon, because my family, my kids, my husband keep me down-to-earth.
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I saw 'The Devil Wears Prada.' I don't think it's a reality.
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When you give a lot of confidence in people and you don't get it back, you are a bit disappointed, but it's life.
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I have a couture body.