Constance Rourke Quotes
Humor has been a fashioning instrument in America, cleaving its way through the national life, holding tenaciously to the spread elements of that life. Its mode has often been swift and coarse and ruthless, beyond art and beyond established civilization. It has engaged in warfare against the established heritage, against the bonds of pioneer existence. Its objective --the unconscious objective of a disunited people --has seemed to be that of creating fresh bonds, a new unity, the semblance of a society and the rounded completion of an American type.
Quotes to Explore
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I think bad politics are incredibly dangerous, so it's important to make sure that people are communicating well. Culture and morale are super important. It's best to not force it, but let it happen organically and genuinely.
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When I first put my hat in the ring, several very tried and true and loyal Democratic activists from our community said, 'What? She's not a Democrat. She's a Republican.' I took that as a compliment, you know, that people didn't necessarily know what my ideology might be because I wasn't driven by that.
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I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.
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What these guys are doing is great for Argentinean tennis. This is motivating other people.
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People, in whatever walk of life, would be surprised if they just gave themselves a chance by believing in what they are.
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I like real people - salt-of-the-earth men.
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People have no idea how hard football is, absolutely no idea. It's all about pace. You can say, 'Yeah, you've got speed of thought' - but you've got to have a little bit of a zip.
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Every other day there's something - I'm dealing drugs, I'm starving people. I have never done a drug in my life.
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Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a very scientific way.
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'Outlander' is based on a group of books; there's a slight fantasy element to it, but ours is authentic - we try to stick to historical accuracy as possible. Ours is about a small group of people and a core relationship rather than big armies.
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I don't listen to music made by white people. I especially hate anything where a guitar is used. I don't listen to white people and guitars.
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I make films about working class people.
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When people hear the term 'political prisoner,' especially on the Left, it becomes a kind of abstraction. Folks are aware of injustice, and they're aware that there are folks in prison who are in prison, you know, largely because of their activism.
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People are suspicious of science. They see it as being responsible for problems like the degradation of our climate. There is also a strand in society that says physics is terribly hard.
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I never eat at home. Dinner is my time to be social and catch up with people.
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Look at the way celebrities and politicians are using Facebook already. When Ashton Kutcher posts a video, he gets hundreds of pieces of feedback. Maybe he doesn't have time to read them all or respond to them all, but he's getting good feedback and getting a good sense of how people are thinking about that and maybe can respond to some of it.
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London is like my second home. I've still got friends there from school and from when I first started in the modelling business - people such as Karen Elson, Jasmine Guinness, Jade Parfitt.
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I find nice people kind of boring.
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I'm quite shy. Really. I'm trying to expand myself as a person more, get involved with people.
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No matter how revolutionary something is, if you keep doing it over and over and over then it does loses it's excitement and it's high dynamics and people get used to ... get used to it like anything else you know um and then it just becomes a normal deal and then it becomes not very interesting at all.
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I've always had a strong love and a sense of care for kids. And the one thing is evident and is so true - the kids are our future.
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The assertion that men are objectively equal is so absurd that it does not even merit being refuted.
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Humor has been a fashioning instrument in America, cleaving its way through the national life, holding tenaciously to the spread elements of that life. Its mode has often been swift and coarse and ruthless, beyond art and beyond established civilization. It has engaged in warfare against the established heritage, against the bonds of pioneer existence. Its objective --the unconscious objective of a disunited people --has seemed to be that of creating fresh bonds, a new unity, the semblance of a society and the rounded completion of an American type.
