Corey Dillon Quotes
Quotes to Explore
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A little bit of stage fright, then I'm ready.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I feel very, very blessed.
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When you do scenes that are just exposition, they feel false.
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I hope kids feel gratitude for what they do have.
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I feel like I'm supposed to be a shooter.
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A lot of times people feel a little apprehensive about suggesting to actually meet in person. One of the reasons that can be hard is people think they have to propose something super novel.
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The good thing is I didn't feel like anyone was going to judge me on 'Glee.'
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I'm going to put music out when I feel like it's ready.
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I don't feel like I'm grown up. I feel like I'm a kid.
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It took me a lot of years on the 'Burnett' show to feel like I had earned the privilege to play in the sandbox with the grown-ups.
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The first thousand days of a baby's life are likely to determine the rest of her life - whether she grows up to be healthy or not, both physically and emotionally.
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Mackerel is sustainable and healthy.
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I don't feel like I have to dress up to go to the deli.
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I don't want to look sloppy, because then I feel sloppy.
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I feel like trouble has followed me from the day I was born.
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Infidelity has always existed, but I feel like it was brushed under the carpet, behind the scenes. Now everyone is at it - and they've stopped pretending they're not.
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Everybody either hates or loves John Cena; there's no medium. I feel like that I've accomplished something when I get people to cheer for John Cena. I feel like I've done something.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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I am not what is called a civilized man, professor. I have done with society for reasons that seem good to me. Therefore I do not obey its laws.
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Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
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Memory as an inversion of historical time is the essence of interiority.
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As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
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I feel good. I'm healthy. I'm ready to go.
