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It's kind of a subversive act to tell a story of a woman past a certain age, to develop a four-hour movie based on a marriage and a story of two people past middle age.
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KWMR is my radio station, and I intend to have a job there as I get older. That's what I'm lobbying for. They don't need me. They've got plenty of people. But let's see if I can make myself indispensable.
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Because of my own insecurities about the way I look, I do sometimes sabotage the looks of my characters by making them as homely as possible. I've never done a glamour part. I'd like to some day, though I don't know if I could pull it off.
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People love to drop in 'you betcha' as often as they can.
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Getting older and adjusting to all the things that biologically happen to you is not easy to do and is a constant struggle and adjustment.
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My name is Frances Louise McDormand, formerly known as Cynthia Ann Smith. I was born in Gibson City, Ill., in 1957. I identify as gender-normative, heterosexual, and white-trash American. My parents were not white trash. My birth mother was white trash.
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I can do a good John Wayne.
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My father was a minister, and it was more my mother that had the responsibility of making sure the family put out an outward of appearance of living what he was preaching. She was the PR.
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My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
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The fact that I'm sleeping with the director may have something to do with it.
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I want to separate my professional life from my personal life. I want to live a normal life and be a normal mother.
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Yale? I was at Yale on a scholarship.
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I'm not really that interested in going back to playing small supporting roles.
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I haven't done much press for many reasons, but mostly because it's not an interesting dialogue about work that's been done. It's turned into something else. It's become this ridiculous other thing.
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You can't make a rule about it. The minute you make a rule, it's like putting your wedding pictures in 'In Style' magazine - you're divorced.
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I can't do the frappuccino. It's too sweet. I need it straight.
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Unless it's a flat-out farce, an actor can't play comedy on film.
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I'm trained in the theater, and acting, for me, is about the imaginative life I create for myself, not about basing it on something real. I think that whatever I create becomes the reality for the audience.
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Even though I'm an actor, I've gone to productions where there has been someone whose work is known in film, and you can't take your eyes off them. It unbalances the production. Whether they're good or not, it doesn't matter.
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One of the reasons I am successful as a producer is that I've been a very successful housewife.
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The crew on 'Three Bilboards,' by the way, is one of the best I've ever worked with. And that's not hyperbole.
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I'm not an actor because I want my picture taken. I'm an actor because I want to be part of the human exchange.
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It's like some weird excuse for high school kids to vomit. It's not good. It's stupid. I'm sure that's not what St. Patrick's Day is supposed to be about, but who knows.
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I went to my school careers counselors and said I wanted to be an actor, and they didn't know what to do. They showed me catalogues with pretty campuses and said, 'Oh, look, there's a theater building. Why don't you go there?'