Bob Proctor Quotes
Quotes to Explore
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The cutting room is where you discover the optimal length of the movie.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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It would be great to make a movie that had the style of a great '30's film.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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It is true that some people are interested in the buying part of things... They want to buy everything from the movie reviews to the media net to the opinions and so on.
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I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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As a first movie, 'The Hobbit' is not a bad place to start.
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If I hadn't been a model, I couldn't have become a movie actress.
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I met Alejandro Gonzalez Inarritu years ago during my college days, and I was in charge of international promotion of this movie festival he was invited to as part of the jury, and then he saw my work on a short film that was directed by a friend of mine.
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
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I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
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Somebody once said, you have to wait 20 years before you can tell if a movie's any good or not so that's probably true.
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I can tell you, if you shoot in the rain you're going to have a lot of voice ADR to do after the movie and voice looping, stuff like that.
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Even if you look at the 'Paranormal Activity' movies, at the end of the movie things get really crazy and nutty, but they all start in a very mundane situation that people can relate to, and that's also to some degree what we tried to do in 'Chernobyl Diaries.'
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What's so cool about movies is once you're done with the movie, you put it away and come up with a whole new different idea with different characters and a different world. But in TV, you build these characters, and you build this world, and then you're there for however long you do the show.
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I'm not really a horror movie fan.
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My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.
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I did this film called 'Prom.' It was a Disney movie. And at that point, I didn't know what the hell I was doing. I had no idea how to act. It was purely instinctual. I just remember the first scene I did and the first take, it feeling so right.
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Where it is a duty to worship the sun it is pretty sure to be a crime to examine the laws of heat.
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My goal has always been to try to live up to every ounce of my potential. For me, that means working with the best people and working with the best material.
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I absolutely love my job. I feel so privileged: I get to travel the world, I get to witness history... and I'm constantly inspired by the different amazing characters I meet along the way.
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Most people are extras in their own movie.
