Lacey Schwimmer Quotes
Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
Quotes to Explore
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There are so many steps you have to go through to reach a high level, so you're kind of building your own, I would say, mountain. You have to go piece by piece by piece. When you're young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I made my first movie when I was five.
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You get kind of bored being in catalogues all the time.
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I want the kind of career where I can move back and forth.
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I like wearing things that are a bit off but not in a ridiculous 'I'm wearing a huge hat' kind of way. More a socks with sandals way.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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A lie with a purpose is one of the worst kind, and the most profitable.
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I would love to do a 'Scream'-type movie.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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There's something about Marxism that brings out warts; the only kind of growth this economic system encourages.
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I'm kind of a reluctant guru.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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It's really kind of hard to be a suburb of nothing. If you don't have a downtown, you really don't have anything. It's hard to build a community around parking lots and subdivisions.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I love to bake. There's something very ritualistic about it, kind of magic.
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Some of the biggest movie stars in the world are essentially characters.
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Each movie you do about a real person is like a painting, and you choose certain things in the painting that you want to pull out and you want to show.
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Any proposals for the future, while they should use to the full the experience gathered in the past, should not be restricted by consideration of sectional interests established in the obtaining of that experience. Now, when the war is abolishing landmarks of every kind, is the opportunity for using experience in a clear field. A revolutionary moment in the world's history is a time for revolutions, not for patching.
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Culture clash is terrific drama.
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I have met countless patients who told me that they “are” bipolar or borderline or that they “have” PTSD, as if they had been sentenced to remain in an underground dungeon for the rest of their lives, like the Count of Monte Cristo. None of these diagnoses takes into account the unusual talents that many of our patients develop or the creative energies they have mustered to survive.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
