Edith Schaeffer Quotes
I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).
Quotes to Explore
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My second-grade teacher went around the class and asked everybody what they were going to be when they grew up. I said, 'I want to travel the world,' and he said, 'You'll be married and pregnant by 21, just like all the girls in this room.'
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Do not hide behind utopian logic which says that until we have the perfect security environment, nuclear disarmament cannot proceed. This is old-think. This is the mentality of the Cold War era. We must face the realities of the 21st century. The Conference on Disarmament can be a driving force for building a safer world and a better future.
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If the world sees that we can defend our borders... then no one will try to come to Hungary illegally.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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I tend to lean toward romance, characters, and relationships when I write, so I have to add to the setting elements and world-building when I revise.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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In schools giving students a full education, not to create great artists but about the right to have full expression and imagination and creativity, along with an acknowledgement that everybody learns differently. You try and you fail and you try again. All those skills are useful in the workplace, too.
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We must eliminate all nuclear weapons in order to eliminate the grave risk they pose to our world. This will require persistent efforts by all countries and peoples. A nuclear war would affect everyone, and all have a stake in preventing this nightmare.
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It is more from carelessness about truth than from intentionally lying that there is so much falsehood in the world.
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Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
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The greatest crime since World War II has been U.S. foreign policy.
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The exercise of power is determined by thousands of interactions between the world of the powerful and that of the powerless, all the more so because these worlds are never divided by a sharp line: everyone has a small part of himself in both.
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My career? I never think of it as a 'career.' Art and music and all those things that I'm creating are just part of me.
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It's time to stop obsessing about overhead and start focusing on progress. Change charity, and charity can change the world.
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There are infinite modes of expression in the world of art, and to insist that only by one road can the artist attain his ends is to limit him.
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Art is the lie that enables us to realize the truth.
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Rarely has a new player on the world stage captured so much attention so quickly - young and old, faithful and cynical - as has Pope Francis.
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I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.
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The most profound, tangible influence in my life has been my wife, Monique. I don't know that I would even be alive were it not for her, and I certainly would not be the person that I am today.
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'Selvandhan' is my first dubbed venture, which will release simultaneously with the original. It is a family drama. It has familiar Tamil faces, and I hope it does well.
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You need pencil miles to be a great artist, animator, or filmmaker, and the sooner you start making mistakes, the quicker you learn.
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I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
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I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).
