Edith Schaeffer Quotes
I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).
Quotes to Explore
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My second-grade teacher went around the class and asked everybody what they were going to be when they grew up. I said, 'I want to travel the world,' and he said, 'You'll be married and pregnant by 21, just like all the girls in this room.'
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Do not hide behind utopian logic which says that until we have the perfect security environment, nuclear disarmament cannot proceed. This is old-think. This is the mentality of the Cold War era. We must face the realities of the 21st century. The Conference on Disarmament can be a driving force for building a safer world and a better future.
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If the world sees that we can defend our borders... then no one will try to come to Hungary illegally.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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In schools giving students a full education, not to create great artists but about the right to have full expression and imagination and creativity, along with an acknowledgement that everybody learns differently. You try and you fail and you try again. All those skills are useful in the workplace, too.
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We must eliminate all nuclear weapons in order to eliminate the grave risk they pose to our world. This will require persistent efforts by all countries and peoples. A nuclear war would affect everyone, and all have a stake in preventing this nightmare.
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It is more from carelessness about truth than from intentionally lying that there is so much falsehood in the world.
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Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
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The greatest crime since World War II has been U.S. foreign policy.
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The exercise of power is determined by thousands of interactions between the world of the powerful and that of the powerless, all the more so because these worlds are never divided by a sharp line: everyone has a small part of himself in both.
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It's time to stop obsessing about overhead and start focusing on progress. Change charity, and charity can change the world.
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There are infinite modes of expression in the world of art, and to insist that only by one road can the artist attain his ends is to limit him.
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Art is the lie that enables us to realize the truth.
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Rarely has a new player on the world stage captured so much attention so quickly - young and old, faithful and cynical - as has Pope Francis.
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I think when you're young, you're a lot more open-minded, and sometimes you're a lot more perceptive about what's going on in the world.
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Our entire approach to the banking and financial services business is risk-adjusted returns. We believe that in most parts of the world, and including pockets in India, banking tends to mis-price risk.
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My father-in-law just happens to be a global procurement guru. Now retired, he was the global head of procurement for some of the biggest companies in the world as well as our very own treasury.
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Consider all of the possibilities for positive global progress if we utilized nonviolence as the central value of our culture, encompassing our law enforcement and labor practices, which currently include people in numerous nations working for inhumane wages in unhealthy conditions.
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I love India. I love to visit the country.
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I'm not in favour of the army, I'm in favour of replacing it with armed workers' brigades to defend the factories.
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I'd like to see one person - just one - who would own up to having been a coward.
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I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).
