Bobby Abreu (El Comedulce) Quotes
Quotes to Explore
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Cinema affects everything, from the way I get dressed to how I build my stages.
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And as long as people want to hear me sing, I don't know why I'd retire.
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I am so, so lucky. I am the luckiest girl in the world, really. And still with access to everything I could possibly want I still say 'Oh dear, what am I going to wear today?' There's no ending to that question!
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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I never went to school more than six months in my life, but I can say this: that among my earliest recollections, I remember how, when a mere child, I used to get irritated when anybody talked to me in a way I could not understand.
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I like to play the weirdos. I like to play the people that are hard to like. You get to say and do things that you would never say and do in real life.
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I really like one-on-one, rich relationships.
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My daughter is the most normal towards me. For her, I am just her mom. I am just a regular mom, and the actor comes after that. If she likes something that I am wearing, she tells me, and if she doesn't, she still makes it a point to let me know.
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As I read more and I got into philosophy and met a lot of friends who weren't Christians, it became difficult for me to sustain the belief structure in the supernatural.
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Always kiss your children goodnight, even if they're already asleep.
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Hollywood panders to the 18-to-34 crowd. That demographic doesn't care about race and the package it comes in. They care about the hottest chick. They just like hot chicks.
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Perhaps one of the most important accomplishments of my administration has been minding my own business.
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It's like nothing's really happening. Our culture is almost dead.
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Because of the feminist perspective, we have gotten a view of the world that is distorted.
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You get all of your neuroses worked out on stage. I haven't actually played very many nice characters, certainly not on stage. It's not a quality that attracts me.
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It is, like the Mona Lisa, one of those masterpieces with which you will be outstandingly familiar long before you ever get to see it...it does not disappoint. It does not disappoint the first time you see it, nor the third time, nor even the 30th time...
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In the larger scale of things, his opinions didn’t count anyhow. The politicians made the decisions, and the voters paid no attention.
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You bird-brained baby. I ain't called anybody baby since Birdman; unless you're a swallow.
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It's OK to have your eggs in one basket as long as you control what happens to that basket.
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Nobody knows really what they're doing and there's two ways to go with that information. One is to be afraid and the other is to be liberated, and I choose to be liberated by it.
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If you want someone who is sort of still, has a bit of an edge, is older, you get Morgan Freeman. If you want someone who can carry a gun and still play a father, you get Danny Glover. My category is 'that guy who happens to be black.'
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The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
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He's a tough guy for a lefty with the motion he has.