Whitney Chadwick Quotes
The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.

Quotes to Explore
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Terrorism will spill over if you don't speak up.
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I loved theatre and did magic, too, but I was never the best at it - there was never a teacher saying, 'You're great, you have to make this your career!' I was good at science and math. I figured I'd go into science and become a dentist.
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I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
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Parents need a full continuum of care and support from birth to kindergarten that is affordable and accessible - that means full day and full year. And let's not forget that even in elementary school, working parents need access to the same kind of quality, affordable after-school programs!
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A ton of little girls I talk to, they want to be actresses or singers or models.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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Even the most embarrassing mishap can be spun into comedic gold.
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Education is at the heart of achieving your dreams.
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All my life I have fought corruption.
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We live a happy life, and we don't take anything too seriously.
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Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.
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Any partying I did, I did at home. I didn't want to be in the spotlight... There's an easy way to get away from the paparazzi; they're not that difficult to hide from and you don't need to go out for coffee every five minutes.
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I love what I do.
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You can be very famous without being a great actress, and that's not good for me.
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The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
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The Hit Stick is a tremendous invention. It really gave you control as a defensive player because most of the time, 'Madden' is such an offensive game. But the Hit Stick really gave you the opportunity to shine on defense for the first time.
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It's not only imagination, it's the distortion of the vision. You suddenly think, This person is idealistic, this person is strong, this person has dreams, when you know better most of the time. You put what you want to see on people.
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I wrote a lot about the need for an information appliance. I think we've pretty much arrived at one: the iPad. A child could figure out how to use it quickly. Compare it to a DOS computer or even an Apple II; it's no longer nearly as much of a hassle or a mystery.
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My house was bugged. They couldn't find any information on me being a subversive because I happen to love America; I just don't like some of the things the government is doing.
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It is now quite lawful for a Catholic woman to avoid pregnancy by a resort to mathematics, though she is still forbidden to resort to physics or chemistry.
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In my heart of hearts, I love theatre. It's the joy and terror of putting a play on, the creativity of it. It is infinitely harder than film and television and more tiring. Your performance is heightened in the way it isn't with film.
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As for types like my own, obscurely motivated by the conviction that our existence was worthless if we didn't make a turning point of it, we were assigned to the humanities, to poetry, philosophy, painting - the nursery games of humankind, which had to be left behind when the age of science began. The humanities would be called upon to choose a wallpaper for the crypt, as the end drew near.
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The martyr who longs for the flames can be no right candidate for them.
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The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.