Weyes Blood (Natalie Laura Mering) Quotes
Quotes to Explore
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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To be honest, accents are one of those things for me, personally, that usually come quite naturally by just listening to the people.
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I never write about the road. I never write about hotels or anything like that.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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I write to escape; to escape poverty.
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I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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You got to have smelt a lot of mule manure before you can sing like a hillbilly.
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I don't write books inadvertently.
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If you do write down your passwords, don't make it obvious which password corresponds to which account. Even better, write the passwords incorrectly and make up an easy rule for fixing them. You could decide to add 1 to each number in your password, so that 2x6Y is written as 3x7Y.
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I have a nice little movie career, and I write plays and do my act.
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I'm really not a journalist, and I don't do a ton of newsy pieces. Occasionally I'll write about something that's going on recently, but I really don't do a ton of stuff that's tied to current events.
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I can write with absolutely perfect penmanship with my feet. If I broke both my arms, I could still write a girl a love letter using just my toes.
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I could learn how to press 'Record' on a tape recorder and write for a newspaper or a magazine.
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I'd love to write for One Direction. I think they've done incredibly well.
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Nothing flatters me more than to have it assumed that I could write prose, unless it be to have it assumed that I once pitched a baseball with distinction.
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Now write this: 'The greatest rapture of my life was afforded me on a boat in Nassau by Fatima Blush,' and sign it 'James Bond, 007.'
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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I haven't thought about getting into production. I'm interested in the creative aspect of storytelling.
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I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
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It came naturally to find out what I did best, which was to write songs and sing well.
