Ophelia Lovibond Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
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Every story I create, creates me. I write to create myself.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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If I see someone doing a new sport, I usually like to throw myself into it, and I never look at it and think, 'That's something I can't do.'
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I'd previously done 'Expelled,' and that was more on the comedy side, so I really wanted to challenge myself and see if I could actually do a drama.
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In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.
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I have to not take myself too seriously and I have to realise that if it is meant to be, it will be.
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My interests are not really with television, per se.
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Imagine a libertarian president challenging Congress for meaningful immigration reform.
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I want to see people dance, and I would like to guess what kind of people they are. I don't want to know the recipe for their pasta.
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I realized I have an appetite for stunts. I learned how to do them myself.
