Adam Baldwin Quotes
Quotes to Explore
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I'm a bit of a 'Throny,' as I think the 'Game of Thrones' fans refer to themselves.
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I think it's a natural human tendency, when you read something, you tend to read a lot of your prejudices into it. And neuroscience is like a lot of disciplines - it has fashions; things change.
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A fair question could be posed in this fashion: If people are not obeying existing laws, what makes us think they would obey any new laws?
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I think I was dealt a good hand. I have happy genes.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
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I think I've become more modest as the years have gone on.
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I think poetry's always a kind of faith. It is the kind that I have.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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Playing baseball is fun. If I could play, I'd never retire. But managing is work. It's constant decisions of whose feelings you want to hurt all the time.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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I think a lot of people think I'm doing kind of a character onstage, but what you're really getting is just me.
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I want to work with different people, and I would like to work in different places.
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I think issues and substance, policy and vision and record should be the meat of politics.
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Quality is everyone's responsibility.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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I think there are many faces to everyone. I also have my bad sides. Also I think everyone is trying to improve their shortcomings to become more wholesome.
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The percentage of people that go to drama college in the U.K. is probably just like anywhere in the world. It's a very hard business to work in. They say that, at any one time, there's only 5% of actors in the world that are actually working and getting paid, which is a shocking percentage, really.
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I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.
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When I read Katana's run in 'Birds of Prey,' I was curious about her restraint. She didn't laugh, didn't loosen up, didn't seem to have a light side. I thought, well, that demure nature is what we believe of women of Old Japan, so she seemed not like a modern Japanese but from an earlier time.
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I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
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I think work begets work.
