Samira Wiley Quotes
There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
Quotes to Explore
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There is a huge reservoir of support for abortion rights from ordinary women. I hear all the time from women who had abortions and say it made possible the good life they went on to have. Social shaming silences too many.
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A person's life is of their own making, and I take full responsibility for mine.
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Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
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I try to have a normal life since I have an abnormal job.
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I grew up in the hood, and I was raised to hate cops. But then, I started to realize that they're people, and they have lives, too.
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I went out with this boy on the proviso that he didn't tell anybody we were together. The idiot didn't keep his mouth shut. I dumped him. I never went out with a boy from school again.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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The great photographers of life - like Diane Arbus and Walker Evans and Robert Frank - all must have had some special quality: a personality of nurturing and non-judgment that frees the subjects to reveal their most intimate reality. It really is what makes a great photographer, every bit as much as understanding composition and lighting.
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When you meet the love of your life, it's just obvious and natural and easier.
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In the matter of justice, all should be equal in your eyes.
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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Basically, I left Northern Telecom after 7.5 years of being in one company after school. And then, I ended up in a series of start-ups. The first of those was a company called Sitech, and they were in local area networks.
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I never wanted to be a director. I came into this industry by the little door, so I never learned anything; I never went to school. Actors will tell you I'm very precise. I just have the intuition of doing things.
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I've always been aware of my health - when you are having to go on stage and perform, you need to be feeling good - but when I was diagnosed with a life-threatening illness, I became really, really conscious of my health.
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I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I went to college at North Carolina School of the Arts and took a lot of singing classes, and it really is so connected to emotions.
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I think the most important thing about music is the sense of escape.
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I am very clear with people that I am willing and able to make tough choices, and I will do that.
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There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
