Jack Benny Quotes
I don't want to tell you how much insurance I carry with the Prudential, but all I can say is: when I go, they go too.
Quotes to Explore
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It's true that I run a multi-national group but I have no interests in India. So please tell me, what should my identity be?
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The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.
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There's a critic that I love, Manohla Dargis of the 'L.A. Weekly.' I like the underground point of view; it's my old radical sympathies. Maybe I like her because she likes my movies.
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The problem is that no ethical system has ever achieved consensus. Ethical systems are completely unlike mathematics or science. This is a source of concern.
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Because I'm in the public eye, I think that I would prefer to date someone regular who isn't in the news all the time, but I think even if you date someone regular, they'll still put it in the news.
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The idea that computers can ever replace teachers and schools reveals a deep lack of understanding about the role leadership plays in student success.
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Many leaders of big organizations, I think, don't believe that change is possible. But if you look at history, things do change, and if your business is static, you're likely to have issues.
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I love Bridget Fonda.
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We've got a yawl named the Phebe, which is named for a boat in a whaling journal my father and I edited. We keep a copy of the journal on board.
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They talk about those All-Star Games being exhibition affairs, and maybe they are, but I've seen very few players in my life who didn't want to win, no matter whom they were playing or what for.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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In any work you do, you can be profound one minute, and then you be superficial the next, and you can be smart and insightful and then insipid. There can be room for all that.
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The love story for me was the nature of the love and not the age of the lovers.
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You can't just keep recycling revivals. And you can't keep betting on the efforts of guys like me who've been around. You have to take the next step and bet on the next generation.
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We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
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I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.
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In all fields of creativity you see the result of work that has become habit. Where the creative impulse has become flaccid or has died out altogether, and yet because it is our work and our life we continue to do it.
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There is kind of an underground conservative movement in Hollywood, really.
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Isn't privacy about keeping taboos in their place?
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Even today, people tell me that the slapstick humour in 'Friends' is the most viewed comedy track on television. Siddique knows the art of mixing slapstick with genuine humour.
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I want people to think about everyone in their life, and their responsibilities to their friends, their families and their country.
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I normally start at the computer with something really simple like a four-bar loop of a drum sample or a bass line. And then I just start adding layers of synthesizers.
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I don't want to tell you how much insurance I carry with the Prudential, but all I can say is: when I go, they go too.
