Brad Lewis Quotes
One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.
Quotes to Explore
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The government of the German Democratic Republic rejects secret policies. It works for the people, and only the people, so it does not need to keep secrets like the warmongers.
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Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.
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When I am behind and I am looking ahead and there is that line in front of you, of that guy, of winning and losing, then I really hang it out there and take big risks to make the speed up, and then I'm pretty good at passing.
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Up until 1995, I still had a day job that I hated. I was still personally involved in things in the 90s.
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In high school and college, I did not have any Christian friends except my best friend Sarah, who I actually 'brought to Jesus.'
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I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
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My entry into the environmental arena was through the issue that so dramatically - and destructively - demonstrates the link between science and social action: nuclear weapons.
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I remember walking into drugstores when I was younger and seeing all the hair color boxes on the shelves and just being so in awe. Having the control to dye your hair and change your look is such a part of self-expression.
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You cannot reduce the power of story with the tag of money because it's not a share market. So you must know the seriousness of the power of storytelling.
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Washington worked very hard to create his legacy. Even before the War of Independence was over, he was assembling his papers and making sure they were going to be in a state of preservation that would represent as best he could the official side of what occurred during the Revolution.
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I was a huge fan of comedy in high school.
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Judges should interpret the law, not make it.
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And if you take the cameras out of the courtroom, then you hide, I think, a certain measure of truth from the public, and I think that's very important for the American public to know.
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Unless you love someone, nothing else makes any sense.
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I'm a huge Wong Kar-Wai fan.
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I come from Surajpur, a valley in Himachal Pradesh near Manali that is named after my great grandfather Sarju Singh Ranaut.
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Denmark is, like, the flattest country on Earth.
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The thing about Moby Dick is that, at heart, it's a very simple plot - there's only one white whale in the ocean. When you're a boy growing up in a hostile home, you imagine it's unique: it's happening only to you.
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Obstruction of mobility, where it occurs, is one of the most serious and intractable problems of industrial society.
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It well becomes a man who is no longer young to forget that he ever was.
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We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
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We are in the process of building a new patient tower, which should open in 2007 and will add 100 new staffed beds.
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We value task accomplishment over relationship building and either are not aware of this cultural bias or, worse, don’t care and don’t want to be bothered with it. We do not like or trust groups. We believe that committees and meetings are a waste of time and that group decisions diffuse accountability. We only spend money and time on team building when it appears to be pragmatically necessary to get the job done. We tout and admire teamwork and the winning team (espoused values), but we don’t for a minute believe that the team could have done it without the individual star, who usually receives much greater pay (tacit assumption).
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One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.
