Edward Bulwer-Lytton, 1st Baron Lytton Quotes
Quotes to Explore
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I don't need bodyguards. I'm from the South Bronx.
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Forget about your folklore. I can take a few inspirations, but I can certainly not do an homage. That's not my trip. I'm a fashion vampire. I take what I need and I leave the rest.
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Success is the reward for toil.
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While we lie tumbling in the hay.
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She marking them begins a wailing note And sings extemporally a woeful ditty How love makes young men thrall and old men dote How love is wise in folly, foolish-witty Her heavy anthem still concludes in woe, And still the choir of echoes answer so.
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I can do the old hand vibrato just fine, but I like attacking the strings.
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Garry Trudeau put me in the Doonesbury strip many years ago. So I've been a cartoon once.
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There are some quite funny things about getting famous and stuff, but I think there comes a point where you have to think to yourself, "Well, am I doing this because I want to go to a party and meet Britney Spears? Or am I doing it because I want to create something that excites me?"
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From the very first time I rest my eyes on you, girl, My heart says follow through.
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She did it the hard way.
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Thinking of the future, establishing aims for oneself, having preferences-all this presupposes a belief in freedom, even if one occasionally ascertains that one doesn't feel it.
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I don't believe in speaking ill of the dead, even when it's the truth.
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The great thing about string quartets is the players are kind of like family. They work really well as a unit, so you can write things that let them use those talents of association and intuition-all the things they’ve developed together as a group.
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Americans, more than most people, believe that history is the result of individual decisions to implement conscious intentions. For Americans, more than most people, history has been that.... This sense of openness, of possibility and autonomy, has been a national asset as precious as the topsoil of the Middle West. But like topsoil, it is subject to erosion; it requires tending. And it is not bad for Americans to come to terms with the fact that for them too, history is a story of inertia and the unforeseen.
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The night comes for the purpose of checking our busy employment, and introducing an interval of repose between the links of our action and our aspiration. It draws its dim curtain around the field of toil. It buries the objects of our handiwork in darkness, and involves them with uncertainty. It comes to the relief of the exhausted body and the tired brain. Our powers, harmonizing with the diurnal revolutions of the earth, fail with the failing light, and a merciful Providence casts around us this mantle of shadow, and snatches us from our occupation.
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I have seen gleams in the face and eyes of the man that have let you look into a higher country.
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Revolutions are not made with rosewater.
