Daniel Barenboim Quotes
I was never really interested in an operatic post, but I took on the Bastille because it seemed a unique opportunity to build an opera ensemble from scratch, and to deal with all the disciplines that go into opera - the music, the staging and the singing - in an interrelated way.
Quotes to Explore
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The iPod made music mobile, but today, how many devices do you need to walk around with? You want it on just one. And inevitably that's going to be the phone.
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I wanted to bring back that big, ballad type of music that we used to love so much. Whitney Houston, Mariah Carey, when they first came out, that's what I grew up singing.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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I'm interested in giving business an opportunity by improving the tax environment to invest and grow with Pennsylvania, to expand and put more money in capital investment and creating jobs.
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I think, in the early years, my biggest influences would have been... Daft Punk was a huge one for me, I bought their main record when I was nine; at a young age, I was into music. The Prodigy, Gorillaz were big ones.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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As we enter 2015, we are faced with overwhelming challenges. However, the dawn of 2015 also promises unlimited potential and the opportunity to begin rebuilding America.
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I have such an eclectic taste. I like listening to classical music and pop music.
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I actually spend very little time listening to any new music.
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There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
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The opera is to music what a bawdy house is to a cathedral.
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Music is the best means we have of digesting time.
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I do like my hair. It took a while to come around to the fact that it was quite a unique value point.
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I have Aboriginal roots on my father's side, and have always indentified with that spirit. I feel a lot of my music comes from that place.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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I have taken taking my music to labels for years, and everyone just thought it was creepy. They thought the images with the music were weird and verging on psychotic.
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It's been a transformative period and I really wanted to make music from what I've experienced.
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I kept hearing all these rules: 'You can't say that in country music.' 'You can't use that kind of beat.' I became so frustrated. It may have slingshotted me, in a rebellious way, toward doing something different.
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Tony Bennett and me are all the same... and he's still singing. I don't know what else to do.
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The urge that most people feel to have kids is the exact same as the urge that I have to not have kids. I do not want to raise a child.
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I try to make good decisions as decisions come up.
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The discussions are at a formative stage and it would be inappropriate to speculate on the outcome.
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I was never really interested in an operatic post, but I took on the Bastille because it seemed a unique opportunity to build an opera ensemble from scratch, and to deal with all the disciplines that go into opera - the music, the staging and the singing - in an interrelated way.
