Edward Jay Epstein Quotes
Who can now deny the loss of natural light, of skin tones, of real place, and common but precious things in our movies, to be replaced by the gorgeous imagery of things that have never been and never will be? The most special effect in movies is always the human face when its mind is being changed.
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Quotes to Explore
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Relationships are like traffic lights. And I just have this theory that I can only exist in a relationship if it's a green light.
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I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
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Death has its revelations: the great sorrows which open the heart open the mind as well; light comes to us with our grief. As for me, I have faith; I believe in a future life. How could I do otherwise? My daughter was a soul; I saw this soul. I touched it, so to speak.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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My evening really begins when I take a long, hot bath. I light a candle, and I turn on the news and try to catch up. It's when I can breathe from the day to the night, and that means a lot to me.
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Alone is a much better film than House of the Dead and better than most horror movies out today.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
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The fact of the matter is, it's hard to find good movies, period.
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The Self is self-luminous without darkness and light, and is the reality which is self-manifest. Therefore, one should not think of it as this or as that. The very thought of thinking will end in bondage.
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The first thing I learned about weapons is respect, and that carries into movies as well. If you're on set and you're dealing with weapons, live or not, you respect the weapon; you know how to handle it appropriately.
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I did direct two short movies. I learned many things, and one of the things I learned was that I am not a director. It has to be visceral, and it's not for me. I feel much more comfortable acting.
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A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
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I go to New York to see live shows, not movies.
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There are so many movies people make just to make money.
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My theory is, independent movies only work if you're willing to push the material and do something different.
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People weren't willing to bet on 'The Commercial Guy' when they were casting movies and television in the beginning, but I stuck around, and now it's slowly starting to pay off.
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Radium, discovered by Marie and Pierre Curie in 1898, was especially popular: the 'it' element of its day. Radium glows an eerie blue-green in the dark, giving off light for years without any apparent power source. People had never seen anything like it.
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Even though 'Hemlock Grove' was a serious, supernatural mystery, it was pretty fun on set. It was a light mood.
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I like thrillers. My style of movies are closer to thrillers.
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Medicaid and Medicare both need to be devolved to the states.
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Being a doctor at Johns Hopkins does not make me any better in God's sight than the individual who has not had the opportunity to gain such an education but who still works hard.
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Learning is experience. Everything else is just information.
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Who can now deny the loss of natural light, of skin tones, of real place, and common but precious things in our movies, to be replaced by the gorgeous imagery of things that have never been and never will be? The most special effect in movies is always the human face when its mind is being changed.