Eikoh Hosoe Quotes
To me photography can be simultaneously both a record and a mirror or window of self-expression the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.
Quotes to Explore
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When I look in the mirror, I don't see a person who's made the kind of impact that Mia Hamm made on the game. She's still my idol, the greatest player and the greatest teammate. She achieved so much in so many different ways. What she did for women's soccer can't be measured.
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Literature is memory written down. All literature is memory.
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The good reviews that people have told me about through the years haven't really helped me do my job. So it's kind of like, if your hair turns out right you want to go out, you don't just want to stay in and look in the mirror. That's kind of what reading a review is like to me; it's like reveling in something that's just one night.
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Memory tempers prosperity, mitigates adversity, controls youth, and delights old age.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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I am a record executive and I shall be right there in your face with my records.
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'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.
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How come I love having an episode of deja vu? It's akin to an out-of-body experience, I would think. It sits with me, happily, begging me to delve into my memory to find its match point.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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To be a liar, you've got to have a great memory, and I don't have a memory.
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Tony Judt's remarkable 'The Memory Chalet' was written from the prison of mute immobility.
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I am so anti-people's opinions when I'm making a record, but when it's finished and I put it out there, I hope somebody likes it.
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People say they have to express their emotions. I’m sick of that. Photography doesn’t teach you how to express your emotions; it teaches you how to see.
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Smiles come naturally to me, but I started thinking of them as an art form at my command. I studied all the time. I looked at magazines, I'd practice in front of the mirror and I'd ask photographers about the best angles. I can now pull out a smile at will.
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For the eyes are the mirror of the soul and ought to remain unscathed if at all possible. Otherwise people will suppose the soul is done for.
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All the science fiction I loved as a kid was holding up a mirror to society and warning us about the need for course correction.
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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I want to make hand-held music, undiminished by the need to make everybody in the world listen at once. The goal is to ride into the sunset, stereo blasting, and all of what's got you worried will disappear in the rear view mirror!
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Nothing really annoys me, I'm not that kind of person, I'm quite laid back about most things.
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We enter the government essentially in a hotel that is on fire. We're throwing people from the windows into the pool to save their lives and this is the evaluation of the Olympic diving committee: Well, the splash was too big.
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Now, on the St. Louis team we have Who's on first, What's on second, I Don't Know is on third.
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I'm smart enough to realize that the world does not stop and change because I want it to.
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To me photography can be simultaneously both a record and a mirror or window of self-expression the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.
