Elaine Equi Quotes
In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.
Elaine Equi
Quotes to Explore
When someone says, 'Shut up, farmer,' it hurts. It's difficult to explain, but it hurts.
Brunello Cucinelli
My biggest challenge in making 'The Devil Wears Prada' was simply to maintain a tone of sophistication and reality. It's about the fashion world, or it's set in the fashion world, and that's a world that's easy to mock. It's easy to satirise people trying to lose weight and choosing between fancy clothes.
David Frankel
I think it is fundamental to understand that the ethics of politics indicate that you should concentrate your efforts on those marginalized people who live in poverty with few opportunities to develop individually.
Enrique Pena Nieto
American Idol' is a $900 million-a-year corporation. When you are dealing with that, you can't come off with lies - it's either the truth or nothing.
Corey Clark
I should think wrestling is the most positive thing in the world. The fact is, behind the scenes, there's stuff that goes on that's bush-league. It's laughable.
Bill Goldberg
I watched movies, obviously, just like anybody else, but there was nothing to make me think, 'I'm going to go to L.A. and become a movie star,' or anything like that.
Chadwick Boseman
One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.
Lisa See
Dead men tell no tales.
Haniel Long
The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.
Nancy Kress
In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.
Elaine Equi
