Eleanor Clark Quotes
Quotes to Explore
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I drove long distances like the 24 hours of Le Mans for years. But even this racing is now over. I retired.
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The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
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Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
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As a woman, my style defines my leadership. It's a gentler, more compassionate approach. I consult, I listen and I compromise where it's in the best interest of the citizens.
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It would be great to make a movie that had the style of a great '30's film.
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I owe my career to Latina women. I was surrounded by the amazing group: my mother, my aunts, my extended family. They didn't necessarily have access to high fashion, but they had great style and looked stunning naturally at every age.
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Every individual has his own style, his own way of presenting himself on and off the field.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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It comes down to personal style, and that's what's sexy and attractive in a man.
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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Be comfortable. I think if you're comfortable, you exude confidence, and that leads to good style.
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I don't do ski racing to be famous.
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Style is the substance of the subject called unceasingly to the surface.
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I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
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After watching films of Jim Brown, I noticed that he never ran out of bounds. He always ran North and South and that's what I turned my style into. I was a North and South runner.
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I would have probably stolen cars – it would have given me the same adrenaline rush as racing.
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I don't deny my life-style is occasionally pretty wild.
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All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.
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I copied Jackson's style because I thought he was the greatest hitter I had ever seen, the greatest natural hitter I ever saw. He's the guy who made me a hitter.
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One of the differences between HBO and other television is that they demand the same coverage that you would have in a feature film. We need to have all the shots in order to make it as rich and as stunning as it looks. We can't cut any corners.
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Chip is like that kid, like the five-year-old kid that's trying to make his mom breakfast, and there's milk everywhere.
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Before 'Animal Kingdom,' I wasn't particularly thought of in villainous roles.
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It seems like people have to get their thrills somehow.
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How smartly September comes in, like a racing gig, all style, no confusion.
