Eleanor Clark Quotes
Quotes to Explore
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I drove long distances like the 24 hours of Le Mans for years. But even this racing is now over. I retired.
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The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
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Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
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As a woman, my style defines my leadership. It's a gentler, more compassionate approach. I consult, I listen and I compromise where it's in the best interest of the citizens.
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It would be great to make a movie that had the style of a great '30's film.
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I owe my career to Latina women. I was surrounded by the amazing group: my mother, my aunts, my extended family. They didn't necessarily have access to high fashion, but they had great style and looked stunning naturally at every age.
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Every individual has his own style, his own way of presenting himself on and off the field.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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It comes down to personal style, and that's what's sexy and attractive in a man.
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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Be comfortable. I think if you're comfortable, you exude confidence, and that leads to good style.
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I don't do ski racing to be famous.
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Style is the substance of the subject called unceasingly to the surface.
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I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
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After watching films of Jim Brown, I noticed that he never ran out of bounds. He always ran North and South and that's what I turned my style into. I was a North and South runner.
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I would have probably stolen cars – it would have given me the same adrenaline rush as racing.
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I don't deny my life-style is occasionally pretty wild.
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All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.
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If you stop for lunch elsewhere in the world, you tend to eat a sandwich, and a bad one. Italy is unique for the style of life. I think everyone envies it a bit.
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I get that racism exists, but it's not a catalyst for my content. I don't need to talk about race to have material. My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with 'topics' - race, white versus black - you're not separating from the pack. You're doing what everybody else is doing.
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Postmodernism came nowhere close in quality to Modernism at its apogee, not least because that later style wholly lacked the social impetus that animated the designs most emblematic of the Modern Movement.
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One of the reasons I like working with schools is to try to convince women that they can be scientists and that science can be fun.
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So long as the presence of death lurks with anyone who goes through the simple act of swallowing, I will make mine whiskey.
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How smartly September comes in, like a racing gig, all style, no confusion.
