Eleanor Coppola Quotes
I have looked for the center of the art scene. I went to Paris as a student. I lived in Venice, California.
Quotes to Explore
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The day I finished 'Twilight,' I came home and started bulking up. For 'New Moon,' I'm 30 pounds heavier than I was in 'Twilight.'
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I put my friends and family first. I'm really just a normal thirteen-year-old girl who has a different hobby than most girls my age. Acting is kind of an extracurricular activity.
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My mom taught me from a young age to give back and volunteer any chance you get. It was something that I knew, if I made the NFL, I would financially have the ability to do.
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I like to be supportive and a role model.
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I find the whole situation of confronting an audience terrifying.
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I want some colleague to be free to come help me when I say the time has come. That's what I'm fighting for, me. Now that sounds selfish. And if it helps somebody else, so be it.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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The ability to calibrate risk doesn't happen rationally.
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I didn't want to write a biographie romancee especially since I already write novels, nor did I want to challenge the rules of the biography game, arbitrary as those rules might be.
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Public appearances are a headache. I hold mine down to a minimum.
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My father worked, and my mother played bridge. Every time I went out of the house, I was chauffeur-driven with my nanny next to me to stop me being kidnapped.
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I'm for anything that lets people come here to work legally. There are more protections for workers who are here legally than for those who are not. It's also safer for the workers and employers have a more consistent pool of workers.
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I strongly support SNAP and will continue to urge my colleagues in Congress to provide adequate funding to this important program.
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Make your work deeper and better than those before you, and eventually someone will notice. If you don't think the work is better than what you've seen, then go back until it is.
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Most of my best games were when I felt crap - I could hardly move on the morning of the World Cup semi-final in 1990 - but there's a thing called adrenaline that gets you through.
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Music is its own language - if you don't speak it, it's hard to say what you're trying to do.
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I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
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New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.
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What else could he possibly have done? What choices did he ever have?
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I'm enjoying the hell out of playing straight. It seems to be the case with everybody. We're having a lot more fun. The energy is going into the music now, instead of all the side trips we got into in the '70s.
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The music business is a crazy game, especially for somebody like me who is really a purist about the art. Trying to balance the pressures of commercialism, it's a tightrope. It's a fine line between sticking to your guns and insanity.
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Is it not worrying in itself that European Christianity is now barely able to keep Europe Christian? If we lose sight of this, the idea of Europe could become a minority interest in its own continent.
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We get talent and scale from mergers.
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I have looked for the center of the art scene. I went to Paris as a student. I lived in Venice, California.
