Elena Ferrante Quotes
Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but—further—she left no trace of effort, you weren’t aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face: it was completely cleansed of the dross of speech, of the confusion of the oral;
Quotes to Explore
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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It is one thing to be eloquent and charming in profane speech, and another when the one speaking as a religious.
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Writers are storytellers. So are readers.
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I do find my speech difficult at times, but it's getting so much better as my confidence grows and that's thanks to the position I'm now in, which is totally due to my fans.
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I've been working hard: lots of therapy, speech therapy, physical therapy, yoga too.
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I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.
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Tears at times have the weight of speech.
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A master of improvised speech and improvised policies.
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When politicians seek to restrict political speech, it is invariably to protect their own incumbency and avoid having to defend their policies in the marketplace of ideas.
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You know, everybody believes in free speech until you start questioning them about it.
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I think I draw most inspiration from writers like Richelle Mead and filmmakers like John Hughes. They both really understand the experience of being a teenager and how insistent and intense everything feels, but they're also smart, savvy, and fun.
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I do think Austin is a great town for writers; we have a lot of them here. But I grew up in Austin, and so I didn't move here because it was a creative mecca; I was just lucky to live here.
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A mediocre speech supported by all the power of delivery will be more impressive than the best speech unaccompanied by such power.
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Do not be fooled by one who recites the Qurân. His recitation is but speech – but look to those who act according to it.
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Architecture has the power to create order out of unholy confusion.
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What would it be like to live in a library of melted books. With sentences streaming over the floor and all the punctuation settled to the bottom as a residue. It would be confusing. Unforgivable. A great adventure.
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No sentence can end with because because, because is a conjunction
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Supreme Court Justice Ruth Bader Ginsburg fell asleep during Obama's speech. She woke up with the other justices drawing a gavel on her face.
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The classical error of historical Christianity is that we have never started with the value of the person. Rather, we have started from the 'unworthiness of the sinner,' and that starting point has set the stage for the glorification of human shame in Christian theology.
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I'm gonna try to talk about this in a secular way, but where's the spirituality of just being a person? I think it contributes to this rise in bad manners and mean comments; people are being driven by seeking something that's just designed to keep them seeking something. I'm not reducing people in this age to phone-addicted dum-dums, but we have to remind ourselves to also study compassion and inner life as well.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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Blaming something else makes that something else cause; and as that cause takes on power, the individual in the same act loses control and becomes effect.
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Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but—further—she left no trace of effort, you weren’t aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face: it was completely cleansed of the dross of speech, of the confusion of the oral;
