Elena Ferrante Quotes
The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
Quotes to Explore
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The other actresses, who are called my contemporaries, they started with a megastar. They were superstars overnight and are the same even today.
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I love to play different roles. That's just the kind of actor I am.
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I tolerate lactose like I tolerate people.
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History should belong to all of us, and it needs to include people from different cultural backgrounds. Otherwise, it risks becoming irrelevant to children, who could then become disenchanted with education.
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I auditioned in Chicago for Juilliard and didn't get in. I was basically living in a back room of my parents' house, paying rent and not doing anything with my life. I'd like to say it was patriotic to join the Marines, but it was also that I was doing nothing honorable with my life and spending too much time at McDonald's.
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Brigands demand your money or your life; women require both.
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Never mind money; the gifts of time and skill call into being the richest marketplace in the world.
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If you come from Africa with your economic poverty and your cultural riches, and you meet someone like Peter Gabriel or a person from a big record company, and they tell you that what you are doing is marvelous, that makes you feel powerful.
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I think Thanksgiving is the perfect occasion to break open a buttery, oaky Chardonnay from California.
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When I was a kid, we always had big gardens, acres of stuff we grew out in the yard.
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I picked Harvard because it was in a big city, and a lot of girls' schools were nearby. And I liked President Kennedy, who went to Harvard.
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Say something personal, not from a publicist.
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Wanted: a man who is larger than his calling, who considers it a low estimate of his occupation to value it merely as a means of getting a living.
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Fear has its use but cowardice has none.
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I grew up in Cuba under a strong, military, oppressive dictatorship. So as a teenager, I found myself involved in a revolution. I remember during that time, a young, charismatic leader rose up, talking about hope and change. His name was Fidel Castro.
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A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
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I grew up in a family where we weren't allowed to talk about beauty or to put any emphasis on physical appearance.
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I can achieve that by personally relating the words that I am saying to something I have known in my life.
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The man who is always worrying about whether or not his soul would be damned generally has a soul that isn't worth a damn.
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It's expected of novels that they should explain the world and create the illusion that things are ultimately logical and coherent. But that's not what I see around me. Often, events remain mysterious and unresolved, and our emotions reach no catharsis.
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I get a lot of letters that say, 'I'm a normal, down-to-earth girl. I love to cook, and I love sports.' What I also get are letters from a whole bunch of moms saying, 'My daughter is awesome,' and, 'My daughter is a great daughter.'
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When I meet a person and that chemistry is there, I cannot hide the electricity. I need to learn more about him, and once I feel safe, I'm gone, I'm in love, and I give it my all!
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The obese are eating the worst diet in the country if you define worse as ratio of calories to essential micronutrients. They're just eating empty calories.
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The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
