Elena Ferrante Quotes
Quotes to Explore
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I didn't start working out until college. But in college I could feel my body changing, and I knew that if I didn't make some changes, I was going to go in the wrong direction.
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Life isn't about quantity, it's about quality.
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Being in a wheelchair for 30 years. I'm not whining about it because I don't dwell on things I can't do anything about, you know. I never really think about until somebody mentions it. I did take a bullet.
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Love yourself instead of abusing yourself.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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No policy that does not rest upon some philosophical public opinion can be permanently maintained.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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Like funny men, skilled diners are apparently perceived to have an evolutionary advantage.
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I want to play a psycho, something more challenging than just 'the girlfriend' part.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.
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I like to accentuate the feminine form, so I'm a big fan of corsets. A woman's body is beautiful and should be shown off and celebrated. I love a simple and elegant dress that highlights my waist.
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For me, comedy is richer and larger than anything else.
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'General Hospital' was so massive in the 80s and that's when people my age or even younger watched that show. A generation grew up on that show, Luke and Laura, I came in on the cusp of that so there's still a lot of 'Frisco.'
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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To go back means defeat.
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People talk about perfect timing, but I think everything is perfect in its moment; you just want to capture that.
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Friendship multiplies the good of life and divides the evil.
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Really, I don't see this heart-throb thing at all.
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A masculine education cannot spare from professional study and the necessary acquisition of languages, the time and attention which I have bestowed on the compositions of my countrymen.
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The classic think-tank is supposed to be sitting in an attic thinking up grand ideas.
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I do remember seeing Godspell or Jesus Christ Superstar, one of those. It was a liberation theology venue. Anything radical seemed to be accepted there. I definitely picked up the idea there that you should question authority.
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I always was drawn to the performing arts. I started dancing when I was two. I sang, loved to act, and loved going to visit my mom on-set. But she wanted me to have a normal childhood, so I wasn't really allowed to pursue acting till I got older.
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Childhood is a tissue of lies that endure in the past tense.
