Elisa Kreisinger Quotes
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
Quotes to Explore
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I feel happy that I am being honoured for doing films of my own liking.
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A lot of our animation projects are co-productions with French production companies.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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Necessity makes an honest man a knave.
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Being exposed to different production environments in Korea, Japan and the U.S. was a great experience, and each system allows you to quench your thirst in a different way.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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I've done a lot of sorts of films that are under the radar.
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We all agree on the necessity of compromise. We just can't agree on when it's necessary to compromise.
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Comedy was why I got into acting the first place. Peter Sellers was a huge influence on my wanting to act. I grew up with him and found him hysterical. The Pink Panther films were an inspiration, from my earliest childhood days, when I was watching them with my brother and my dad.
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A private jet is not a luxury; it is a necessity.
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I am my biggest critic. Even in films where people said they liked me, I have disliked myself.
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I prefer doing feature films.
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Whenever I've seen shows or films set here, they just don't feel like the real Nashville to me.
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Basically, I love films where everything is great and life is good.
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My family don't watch a lot of what I do. Films are a bit too arty-farty for them, certainly the ones I do!
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I have died in enough TV and films.
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When people ask me if I went to film school I tell them, 'no, I went to films.'
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I'm all for typewriters, with instant carbon copies, and seeing films in cinemas.
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I think, as most people are, I'm fascinated with love, relationships, and my daily life so I'm very inclined to make films about those things.
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I loved problems on paper, and I was good at math, but I was a mechanical engineer, and I never understood - or cared to - how a car worked.
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We the Moderns are like dwarves perched on the shoulders of giants the Ancients, and thus we are able to see more and farther than the latter.
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My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
