Elisa Kreisinger Quotes
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
Quotes to Explore
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I feel happy that I am being honoured for doing films of my own liking.
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A lot of our animation projects are co-productions with French production companies.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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Necessity makes an honest man a knave.
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Being exposed to different production environments in Korea, Japan and the U.S. was a great experience, and each system allows you to quench your thirst in a different way.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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I've done a lot of sorts of films that are under the radar.
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We all agree on the necessity of compromise. We just can't agree on when it's necessary to compromise.
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Comedy was why I got into acting the first place. Peter Sellers was a huge influence on my wanting to act. I grew up with him and found him hysterical. The Pink Panther films were an inspiration, from my earliest childhood days, when I was watching them with my brother and my dad.
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I got a lot of offers after 'Rockstar' but was totally dependent on the team managing my work, who did not want me to sign any of the films I was offered, even though I wanted to.
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A private jet is not a luxury; it is a necessity.
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I am my biggest critic. Even in films where people said they liked me, I have disliked myself.
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I prefer doing feature films.
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Whenever I've seen shows or films set here, they just don't feel like the real Nashville to me.
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Basically, I love films where everything is great and life is good.
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My family don't watch a lot of what I do. Films are a bit too arty-farty for them, certainly the ones I do!
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I have died in enough TV and films.
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Filmmaking is just a very luxurious and efficient way of expressing yourself.
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Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed in the editing stage, most of my early films are flawed in the cutting
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A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.
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My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
