Oliver Sim Quotes
Normally, I don't like explaining songs. I don't want to kill anyone's interpretation or the story they want to make for themselves.
Quotes to Explore
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There's a critic that I love, Manohla Dargis of the 'L.A. Weekly.' I like the underground point of view; it's my old radical sympathies. Maybe I like her because she likes my movies.
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Our conscience is not the vessel of eternal verities. It grows with our social life, and a new social condition means a radical change in conscience.
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The financial catastrophe of 2008 nearly precipitated a calamitous economic depression, jolting America and much of the West into a sudden recognition of their systemic vulnerability to unregulated greed.
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I'm a little sheepish about it. Whenever I meet fans and they're like, 'Oh, you're so sexy,' I just don't get that. There's no way one man can be universally sexy.
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'Obvious' is the most dangerous word in mathematics.
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Dinner is often a stew of beans or legumes, which are awesome for dieting; they give you that meaty satisfaction and both are excellent with whole grain rice or bread.
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For a man of my generation, our century has been a long intellectual and political struggle in favor of freedom.
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I loved math and science. It just made sense to me. But my hatred for world history has come to bite me in the butt in my adult years. Every show I have done professionally has required me to study the world in which my characters lived.
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There is no such thing as a little freedom. Either you are all free, or you are not free.
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There are a million great books out there if you just go to Google. There's a lot to pull apart. A lot of crazy, unbelievable stuff that's all completely true. I get into little obsessions, and I read everything I can find on one thing, and then I move onto another.
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Even in music concerts in Mumbai and different parts of the world, seats are reserved for sponsors.
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I always feel the danger because you might always be subject to an unexpected or emergency event.
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To try to fix the future is a manifest absurdity.
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I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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It's all about sound. It's that simple. Wireless is wireless, and it's digital. Hopefully somewhere along the line somebody will add more ones to the zeros. When digital first started, I swear I could hear the gap between the ones and the zeros.
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For twenty years, Islamic Jihadists have been attacking American interests around the world and we did not take them seriously until September 11th, 2001.
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I try to stay as naive as possible so I'm not as aware as much of the risks.
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I've had a lot of folks tell me that my songs weren't quite country because they didn't really sound like anybody that had come along and done it before me. I felt a little out of place for a while.
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What has influenced my life more than any other single thing has been my stammer. Had I not stammered I would probably... have gone to Cambridge as my brothers did, perhaps have become a don and every now and then published a dreary book about French literature.
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At the U.N., I routinely encounter countries that do not want to impose sanctions or even to enforce those already on the books. The hard-line sanctions skeptics have their own self-interested reasons for opposing sanctions, but they ground their opposition in claims that America uses sanctions to inflict punishment for punishment's sake.
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If you do something, expect consequences.
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Normally, I don't like explaining songs. I don't want to kill anyone's interpretation or the story they want to make for themselves.
