Elise M. Boulding Quotes
Quotes to Explore
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All my life, my immediate response to emotional pain has been to make jokes. Lots of jokes.
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Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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I love all sorts of music. I'm really into Damian Rice and Amos Lee.
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I don't like intellectuals, or, at least, people who call themselves that way, because I am under the impression that there is always something condescending in their demeanour, and I don't like condescending people.
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Happiness is good health and a bad memory.
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Every now and then a man's mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions.
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I've always been a fan of Fran Drescher!
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It is so much more difficult to live with one's body than with one's soul. One's body is so much more exacting: what it won't have it won't have, and nothing can make bitter into sweet.
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It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused.
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A nonfiction author has to bring a platform with him - radio, a TV show or some kind of recognizable vehicle to help launch them. And the agent is really necessary to represent all of the business interests of the author.
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I always thought I was going to be a great poet, and go and live in New York, where the great poets lived - you know, where Whitman had walked the streets.
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I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
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There are many challenges, there are many obstacles; let us try to change the obstacles to advantages.
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Working with Jon Hamm was super-fun because he's a brilliant actor and he's very kind. I would hang around sets for scenes that I wasn't even in because I wanted to watch how he worked.
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It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
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It was my love for the guitar that first got me into music and singing. Growing up, I was inspired by The Beatles and Bob Dylan. Damian Rice was a huge influence for me musically.
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Many of my early Vines and collaborations were with gay people.
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The only thing that makes change possible is the idea of developing some kind of institution, because the institutions will survive individuals.
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Writing is the beast unto itself.
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What's working for me is like when I go into the studio, I'm trying to get goosebumps.
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I didn't want to accept that people would forget me, that the government wouldn't do anything to negotiate our freedom. After a year, I came to understand that not only had one year passed, many more would come.
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I still believe that one day mankind will bow before the altars of God and be crowned triumphant over war and bloodshed, and nonviolent redemptive goodwill will proclaim the rule of the land.
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Why is it that we are born remembering, and live forgetting?
