Karl Ove Knausgaard Quotes
Quotes to Explore
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I wanted to be an author for as long as I can remember.
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I am especially fascinated with mermaids, and they are always coming out in pirate stories.
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I am a hopeless romantic and I love to spoil my girlfriends.
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If you start lifting weights, you will expect to put weight on, as muscle is heavier than fat. But you have to look more at your body shape - you will get heavier - but you might get smaller and heavier at the same time, which is fine. And it doesn't really matter what you weigh as long as you are happy with your shape and size!
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I am in agreement with income-tax protesters that the tax, as commonly applied, is unconstitutional, unfair, and immoral.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I'm so happy to be in a committed relationship.
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I am constantly accused of being 'First World.' So what should I do? I can't apologise for my environment, upbringing, aesthetic.
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I am not irresponsible.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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I am a beneficiary of the American people's generosity, and I hope we can have comprehensive immigration legislation that allows this country to continue to be enriched by those who were not born here.
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When Chipotle asked me to take part in the Cultivating Thought program both as an author and an essay contest judge, I was excited by the idea of sharing my story through this unique channel and helping young, inspiring writers do the same.
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I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.
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The difference between being a victim and a survivor is often a low level of situational awareness. You can't be a super-spy, watchful and paranoid every day. But I am more watchful than the average American.
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Record-breaking is not getting boring. I am definitely happy with that.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I have made myself what I am. And I would that I could make the red people as great as the conceptions of my own mind, when I think of the Great Spirit that rules over us all.
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All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.
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When I do a workshop, there is always at least one author who comes up afterward and asks if I'll take a look at his or her book and consider blurbing it. For some reason, I can turn someone down in e-mail, but when he or she is looking me in the eye, I cave.
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I've been very lucky with prizes. But the thing about prizes is that, when you talk about a prize-winning author, you can be talking about one that is well-regarded but doesn't sell any books.
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'Somebody That I Used to Know,' like a lot of the record, was a bit of a struggle to finish. It was written fairly quickly - I wrote it in November 2010 - but it took six months to find Kimbra and really realize she was the right vocalist to make the female part come to life. There were constant hurdles.
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I wanted to write a novel where the meaning is in the story and characters and the subliminal, in the shades and nuances. It's exciting to develop that as a writer.
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The enormous expectation having to do with sexual love and the shame involved in this expectation degrades all a woman's perspectives from the start.
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I am happy because I am no longer an author.
