Eliza Lynn Linton Quotes
Poverty is a bitter weed to most women, and there are few indeed who can accept it with dignity.

Quotes to Explore
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I don't give up on commitments until what I've been asked to do is clearly finished.
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Save a boyfriend for a rainy day - and another, in case it doesn't rain.
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There's nothing that will change someone's moral outlook quicker than cash in large sums.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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He travels fastest who travels alone, and that goes double for she. Real feminism is spinsterhood.
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I think money helps us. It helps us. It's our - it's our exchange system. But it does not buy you happiness. It doesn't buy you health.
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Oh my God, Betty White is actually everything that you would expect her to be like.
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'Years of Living Dangerously' is a wonderful opportunity to reach a lot of people with the story and importance of climate change in our lives; in recent history, there's no bigger threat to the quality of human life than what is taking place right now in respect of climate change.
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It's really corny to say, but if you are happily married and have good kids, that is about 98 per cent of what you should be seeking to achieve.
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There is probably a perverse pride in my administration... that we were going to do the right thing, even if short-term it was unpopular. And I think anybody who's occupied this office has to remember that success is determined by an intersection in policy and politics and that you can't be neglecting of marketing and P.R. and public opinion.
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I was a pretty nice kid. Kind of quiet, but quiet in terms I wasn't going out and setting fire to anything. I had a big mouth and I was creative type, you know.
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It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
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I'm more interested in characters who are a little difficult.
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I never intended to be in show business; I intended to be an extremely grounded person.
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With scientific advances, Congress must now make changes to reflect new therapeutic options.
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If I'm going to be a jazz player, I need to understand Miles Davis.
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I've been told by many people that if I had a Twitter account, I would be making five hundred thousand dollars more a year.
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Of course democracy is good, but it is a process, not a prescription.
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It's either some kind of electricity or some kind of energy. I don't know what it is, but whatever it is, I've got it.
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Most attractive males talk to most attractive women as if they were Rotarians comparing sales percentages in Des Moines.
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In 1939 I hadn't even realized that this was an immigration problem.
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Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
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Poverty is a bitter weed to most women, and there are few indeed who can accept it with dignity.