Omar Dorsey Quotes
I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
Quotes to Explore
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'Heroes' really changed the game for me in a way that nothing before it had.
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Fortunately, in the place where I went out, they had set up a little previously a fence which prevented me finally from smashing against trees. I went out with a broken leg only. A small price to be paid at the time for an accident of this kind.
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Because I'm in the public eye, I think that I would prefer to date someone regular who isn't in the news all the time, but I think even if you date someone regular, they'll still put it in the news.
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I'm too self-serious for a comedy.
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Put simply, the doctrine of 'Fair Use' applies to content republished from copyrightable material and how much of that content is, literally, fair to use.
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There are different reasons to make movies.
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If you take away the gift of reading, you create the gift of listening.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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I wanted to get a taste of what it would feel like to be a mum. I've always had a strong maternal instinct and ideally I would love one of my own.
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It was total naivety that got me to Hollywood. I thought it was going to happen straight away. I told myself 'give it 5 years, there's no way I'll be here after that if it doesn't happen'. Cut to ten years later!
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I hang out all the time with kids and young scouts and I never meet kids who don't want adventure.
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When I read the 'Country Strong' script, I thought, 'Can't they just hand-double it? Can't I just do the rest of the movie and not have to do the performing?' It took me six months to learn to sing and play guitar at the same time.
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If you look underneath the surface of the Tea Party movement, on the other hand, you will find that it is not sophisticated. It's not like these people have read the economist Friedrich August von Hayek.
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Hollywood's all about, 'Let's make this easy: This is what you do, so you go over here in this group, and we're not gonna call you.'
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I want to have a long career.
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As is well known, 'McCarthyism' was an alleged focus of political evil in the 1950s: Accusations of Communist taint, without factual basis; bogus lists of supposed Communists who never existed; failure in the end to produce even one provable Communist or Soviet agent, despite his myriad charges of subversion.
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'Made in Italy' is from the tycoons of the '80s, not me. It is people who represent an Italy which I don't belong to and I don't feel a part of.
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I have been sustained by cane field, the cane plantation I have.
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I think that Van Gogh is really the ultimate crazy artist that we all think of.
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I became so consumed with trying to live up to what the public expected that I lost myself. I don't know of anyone else who can say this.
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I always loved comic books when I was growing up, and Spider-Man was definitely a character I gravitated towards because I loved the story of an average teenager having super powers.
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I myself was born beside a river - the Avon in Sarum. So when I first encountered New York's great harbor and the Hudson River as a teenager, and came to understand their historic canal and railroad links to the vast spaces of the Midwest, I felt both the thrill of a new adventure and a deep sense of homecoming.
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I am surrounded by a small group of young landscapists who will be very happy get to know you. Besides, they are real painters... I find myself very well fixed here. I am drawing figures at hard. And at the Academy, there are only landscapists. They begin to perceive that it's a good thing.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
