Brassaï Quotes
Quotes to Explore
-
Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
-
I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.
-
Mostly, I worked so quickly, I didn't see the details of a photograph until it was printed.
-
I hate having my photograph taken.
-
People put barriers up in your path, and one of those barriers is age. They tell you, "You're too old. You don't photograph so well anymore." I know I don't photograph so well anymore, so what can I do? I can do something different, where it doesn't matter as much how I look.
-
The same camera that photographs a murder scene can photograph a beautiful society affair at a big hotel.
-
I photograph what interests me. I'm not saying anything different.
-
Every photograph is a battle of form versus content.
-
I photograph to see what the world looks like in photographs.
-
In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it's something else.
-
A photograph can look any way.
-
I said the photograph isn't what was photographed, it's something else. It's about transformation. And that's what it is.
-
There is no special way a photograph should look.
-
For me anyway when a photograph is interesting, it's interesting because of the kind of photographic problem it states - which has to do with the contest between content and form.
-
My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.
-
My project could be only to photograph as I felt and desired, to regulate a pleasant form of living, to get up in the morning-free, to feel the trees, the grass, the water, sky or buildings, people-everything that affects us; and to photograph that which I saw and have always felt.
-
I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
-
Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.
-
If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.
-
The simple fact is this: There are no neutral photographs.
-
Government is not the problem, and government is not the solution. We - the American people - we are the solution.
-
For me the criterion of a good photograph is that it is unforgettable.
