Black Francis Quotes
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I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
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That's the most important thing, to get along with people. When you feel like you click with them. That's more important even then what their background is or what they've done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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I don't like to have everything all worked out in my head because there's always a chance of it coming out different than you think it should anyway.
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I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.
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As I paint, I realise, while it's something I do very much by myself, it's very solitary, the creative process feels similar to making music to me now, at least as far as my brain is concerned.
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When you're a creative person and you create art with other people, whether you're married to them or not, you're going to run into creative conflicts. If you're a couple, certain inhibitions and barriers are gone. I have those barriers with other people, but I don't have them with my wife.
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I initially felt shy about doing painting because I wasn't a professional painter. I almost felt like I didn't deserve to paint. But I have gradually adopted a different kind of attitude about this.
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I come from an art history background. I studied at a master's degree level; I chose to dork out on art for much of my adult life. A lot of my heroes are artists and a lot of my musical heroes have an artistic side.
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Everyone thinks I'm a wimp and even my own band hates me. Oh, well. I guess I'll just flip 'em the bird!
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When we've got something to say to the world, we will. I'm really happy that people are interested. "So, what's up with the Pixies record? So, what's up with the Pixies record?" One guy just kept asking me and asking me in an interview, and I kept saying, "I just got done telling you no, there's nothing to report."
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If you're a good band then the filter of the band is pretty strong.
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I think everybody has a painter inside of them somewhere.
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You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.
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There was a f**king review in f**king Melody Maker of the first BOSSANOVA single, 'Velouria' - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing.
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I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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Wise is the tongue, wet of perfect thought.
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This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
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I think that painting is a very ancient form of expression.
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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.