Elizabeth Streb Quotes
Unpredictable action is movement's equivalent to a page-turner in literature. On stage, we have certain options to make our moves appear surprising or even shocking. One choice is to remove transitions. We try to construct motion hunks, hunks of action that could be missed if an audience member blinks.
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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A woman's body is her body and what she wears or does not wear is her choice. Get over it and move on.
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It wasn't until two or three years ago that I actually learned that in the end he actually did kill someone. But that was a choice that he faced: to kill or be killed.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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When you wait to the last minute, you rush to get things done, and the closer you get to the deadline, the less options you have.
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Nobody sets out to break new ground. I think change comes when people have no other choice.
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Environmental concern is now firmly embedded in public life: in education, medicine and law; in journalism, literature and art.
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I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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It is in the genes of cities to bounce back from disasters - whether natural or man made. The denizens of suburbia have no choice but to survive and move on. But it is the manner in which different cities respond to emergencies that sets them apart.
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I am a literary animal. For me, everything ends in literature.
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I know that I have the ability to achieve the object of my Definite Purpose in life, therefore, I DEMAND of myself persistent, continuous action toward its attainment, and I here and now promise to render such action.
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You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
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I did literature at university, so I had a real relationship with poetry, but they don't make many films about the world of a poet.
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People didn't suddenly wake up one morning and unanimously say 'I'm fed up with midbudget dramas. I'm only going to see action tent poles from now on!'
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Like any other boy in the world that does a little bit of rough-and-tumble and playing around when they're a kid, who doesn't want to be an action star at some point?
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I believe economic growth should translate into the happiness and progress of all. Along with it, there should be development of art and culture, literature and education, science and technology. We have to see how to harness the many resources of India for achieving common good and for inclusive growth.
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Green policy is about triggering a shift to a cleaner way of doing things. To be effective, it needs to incentivise the right behaviour, for example through tax breaks, and that needs to be paid for by disincentives on polluting behaviour.
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Use coconut oil; it is one of the best moisturizers. Use it right after the shower on wet skin and then wipe it off with a towel.
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It is always encouraging and kind when people say nice things about my work but I know that it is not me that did it then and it is not me that is doing it now. It is God living in me and for that I will always be grateful.
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Unpredictable action is movement's equivalent to a page-turner in literature. On stage, we have certain options to make our moves appear surprising or even shocking. One choice is to remove transitions. We try to construct motion hunks, hunks of action that could be missed if an audience member blinks.
