Samuel Fuller Quotes
Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
Quotes to Explore
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I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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As a major contemporary composer, Madonna should not let the eye dictate to the ear.
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You'd be surprised how hard it can often be to translate an action into an idea.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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I've been in the public eye now for about 15 or 16 years, and I'm very aware that fame is not a given. I have to maintain it. It's not just something that will always be there. But I've always been a worker. I've never expected be given anything.
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The ancestor of every action is a thought.
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It would be great to make a movie that had the style of a great '30's film.
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In 'Rangoon', I play an action star of the 1940s.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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I'm not fashionable, and I know nothing about fashion, but I have my individual style, and style is eternal.
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
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Fashions fade, style is eternal.
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I think that artworks are like these spiritual objects: I think that they have energies and powers beyond what the eye can see.
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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A feel-good style can be a symptom of unawareness or lack of caring.
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They've got this house style which is writer driven. I heard of one person who sent his script in, and Karen Berger said there weren't enough words in it. Put some more in.
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Well, mi amore, this is awesome news! Let's get right on that," said Kami, and began to undo the buttons of her blouse. She looked down at the red buttons slipping out one by one from the black fabric of her shirt. She only had eight buttons, and there went the fourth. Jared sucked breath out of a horrified void and shouted, "stop that!" He angled himself to protect her from the eyes of a crowd that was not there. He hesitated, possibly because now he had a view directly down into shadows and curves.
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Did you ever see a one eyed woman cry? You know the saddest thing about the woman, the tears don't come out just one eye.
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Once you become a mother, your relationships in your own life change. Perhaps with your own mother, and perhaps with your sister. Perhaps with your baby-daddy.
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I know I mispronounce things constantly, because maybe I read more than I talk, but I don't know the proper way to say a lot of things, even though I know what they are. But then I know I look like a moron.
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When you're writing first person, all I can see and tell as the author is what that main character can see.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
