Elizabeth Streb Quotes
Unpredictable action is movement's equivalent to a page-turner in literature. On stage, we have certain options to make our moves appear surprising or even shocking. One choice is to remove transitions. We try to construct motion hunks, hunks of action that could be missed if an audience member blinks.
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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A woman's body is her body and what she wears or does not wear is her choice. Get over it and move on.
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It wasn't until two or three years ago that I actually learned that in the end he actually did kill someone. But that was a choice that he faced: to kill or be killed.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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If I'd had the choice when I was 14, and someone had said to me, 'You can either be a footballer or an actor,' I'd have said: 'Well, can't I be a footballing actor?'
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When you wait to the last minute, you rush to get things done, and the closer you get to the deadline, the less options you have.
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Nobody sets out to break new ground. I think change comes when people have no other choice.
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Environmental concern is now firmly embedded in public life: in education, medicine and law; in journalism, literature and art.
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I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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It is in the genes of cities to bounce back from disasters - whether natural or man made. The denizens of suburbia have no choice but to survive and move on. But it is the manner in which different cities respond to emergencies that sets them apart.
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I am a literary animal. For me, everything ends in literature.
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There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.
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Behaviors are a choice. Feelings are sometimes out of our control. Behavior has to do with choices.
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I know that I have the ability to achieve the object of my Definite Purpose in life, therefore, I DEMAND of myself persistent, continuous action toward its attainment, and I here and now promise to render such action.
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If you tell certain people that you like Kerouac, they assume that’s all you read, like you don’t know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.
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I exist. It is soft, so soft, so slow. And light: it seems as though it suspends in the air. It moves.
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When I was young my Father used to tell me that the two most worthwhile pursuits in life were the pursuit of truth and of beauty and I believe that Alfred Nobel must have felt much the same when he gave these prizes for literature and the sciences.
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I did my dissertation on Kafka.
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I never knew that the lower classes had such white skins.
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Unpredictable action is movement's equivalent to a page-turner in literature. On stage, we have certain options to make our moves appear surprising or even shocking. One choice is to remove transitions. We try to construct motion hunks, hunks of action that could be missed if an audience member blinks.
