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I had a general burnout: I got extremely tired; I couldn't do anything anymore. I canceled tours; I cancelled everything in my life. For a year and a half, I was completely sick; I couldn't do anything. So yeah, I wanted to write about it in my lyrics. 'Anatomy Of A Nervous Breakdown' is really about that, the inspiration behind it.
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You always speak the language you hear most.
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I cannot work on a Revamp album when I tour with Nightwish. And I cannot do any Nightwish stuff when I'm touring with Revamp.
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Making an album is always a puzzle: you start by seeing a lot of different pieces, and they all need to come together into one picture.
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Actually, I consider both Nightwish and Revamp equal.
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I tried to learn the Finnish language, which is really, really, really hard, and I realized that if I want to really learn it, I need to move to Finland.
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Who on earth would expect a band such as Nightwish, to give you, of all people, the phone call, 'Hey, can you come and join us now?' Yeah, that turned everything upside down.
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The success of Revamp is clear. We've sold a lot of albums, we've done very good tours, and wherever we play, we get a very positive response, and that's something that would be very nice to keep.
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The most metal? Some would say Slayer, but I think they're a dreadful band. Unbelievably boring. Terrible. Apparently it's not metal to say that, but it's a personal opinion.
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There is a project that I did back in 2008 with a Norwegian guitar player, Jorn Viggo Lofstad, who plays in Pagan's Mind. We wrote a rock album, and we never released it.
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Everybody meets a lot of idiots in their line of work, not just in music.
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People think that when they come up to me, screaming things into my ear, that I will respond according to what they want. I'll turn around and smile and take the photo. But I'm not somebody's marionette.
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Nightwish is my band, and so is Revamp. They both get my 100 percent, which is why I also cannot do them both at the same time. They're both my babies.
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I'm very happy with what I can bring into Nightwish, but I will probably want to keep on writing things. And that can take many forms as well.
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Unfortunately, life unfolds as it does, and you can't do everything at the same time, and you can't do some things if you can't spend the time.
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Thinking Slayer's music is not my thing doesn't mean I don't respect the band for what they are and what they've done. I just won't play it. As I can imagine they won't listen to mine either, for that matter.
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I don't always have to be the best. Things don't always have to be perfect.
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I've studied classical singing, but not to a great extent.
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I always feel I need to do well regardless of the level of the band.
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I do know I will enjoy family life. What I've seen from moms, or heard stories from people who became a parent, it's such a consuming thing; it's such a wonderful thing. I consider it an extreme luxury to have that time and to not have to do anything else, and just be with my kid.
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The whole social media thing is ridiculous. Everybody gets to say what they want all the time. That's fine in theory, but it's not civilised. Imagine going into a bar, and everybody in that bar is talking like people do online. They'd just get their teeth punched in.
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Now, when you've been in the band for three years, you get used to the position, in a sense. I don't think about it every day like, 'Oh my God, I'm the singer of Nightwish!'
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I had the idea to spend the year off in 2008 and start writing a rock album. I wanted to do something else other than melodic metal after more than ten years of After Forever. I thought it would be nice to sidestep into rock.
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Arch Enemy is a female-fronted metal band, but so is Delain. They don't sound alike at all. The only thing they both are are metal bands, but the style within metal is so massively different that it doesn't really say much whether there's a girl singing or not. So it's really not so important.
Floor Jansen Nightwish