Ellen Langer Quotes
Quotes to Explore
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He who fears to weep, should learn to be kind to those who weep.
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I was born into a world where a lot of people who came to the house were performers.
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I am a perfectly normal woman. If what we do is storytelling and represent people that we see all day and every day, well, we do not see supermodels all day and every day.
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Futurism eventually got marred by its link to Fascism, but early on, it was totally avant-garde, and I wanted to dream a phantom link from the early futurists to the politically radical Italy of the 1970s, a time of fun, play, subversion - if also violence and mayhem.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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At some particular time, when I was 14 years old, I've done something that people didn't expect.
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Imagine: in the medieval ages, there was no evidence of how the history of mankind has been affected by witchcraft. But there is significant factual history of how brutality and sadism of mankind have been displayed in the most obscene manner in the name of witch-hunt.
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Once I got to the OTC they knew more about the physical aspects of shooting, and knew which muscles were more important to have trained and geared us a program around that.
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My first job is big sister and I take that very seriously.
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Nine times out of ten, in the arts as in life, there is actually no truth to be discovered; there is only error to be exposed.
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I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue.
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I had been a real problem child, but once I got into acting, my parents never had any more trouble with me because all of that energy was directed in a positive way.
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As an athlete, you are literally programmed to endure a specific amount of pain.
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For me, art is always a kind of theater.
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Music is a world within itself, with a language we all understand.
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What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
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An idea you have might not be original. But by creating a novel out of that idea you can make it original.
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It's chaotic. I have heard blood-curdling screams, and every time I hear it I think someone's being brutally murdered, but I realize it's a werewolf.
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Dialogue is like jazz. Dialogue is creative.
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I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely about writing.
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When your head tells you one thing and your heart another, listen to your heart. It tells no lies.
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To be mindfully engaged is the most natural, creative state we can be in.
