Manning Marable Quotes
What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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So many people witness atrocities and can't take their eyes away from them, but that doesn't mean they're good.
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If I want popularity, I go to a chef's convention.
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Even complex passwords are getting easy to break if they're too short. That's because today's inexpensive computer chips have the power of supercomputers from the year 2000.
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Inappropriateness is funny to me. Rudeness is hilarious.
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I think being idle is quite hard for me to do.
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I found I could speak louder and was more comfortable if I was doing it in someone else's crazy voice.
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One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
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Why do elites hate the poor? It's xenophobia. They don't know any poor people - except their off-the-books Brazilian nanny and illegal immigrant cleaning lady from Upper Revolta who don't speak English.
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The civil rights fight was a very important fight.
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This is the beauty of fiction. We may not like these characters, but we inhabit them.
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Wanting to be understood by an audience that didn't know Russian, I tried to paint musical pictures by emphasizing the phrasing, using voice color more boldly, and varying the shade and nuance.
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I'm not Mr. Mom, but there's just certain things I won't say anymore.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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I feel comfortable any position I play. It doesn't matter.
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Let's just say, if I weren't a model, I'd be a walking collage. I see my body as a blank canvas that's aching to be decorated; I find it all very fascinating.
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Ain't no place like New Orleans. It's one of kind.
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I always have a million things going on at once, but I try to put my energy into the most immediate need.
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I looked up at several pockmarks in the nearest wall; if they weren’t bullet holes, the place had damned big hailstones.
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Since I spend such a long time making each book, I only choose books that I'm really interested in and that I really love.
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I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.
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The constant is always mythologies and the very first stories that we have. All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
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What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
