Brett Gelman Quotes
I saw 'A Night at the Opera,' this Marx Brothers film, when I was, like, six years old. I just became obsessed, you know?
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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'Saawariya' was my debut film. It will always be the most special film.
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I do think 'All Is by My Side' is the type of film I'm the most happiest.
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Beautiful film music can be made relevant to any period.
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'Magadheera' is a lovely film which can't be recreated.
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It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
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I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
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When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.
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If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.
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My quest to find a great role for myself started long before this film "Our Brand Is Crisis"came around.
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I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure.
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I believe that fantasy in the meaning of imagination is very important. We shouldn't stick too close to everyday reality but give room to the reality of the heart, of the mind, and of the imagination.
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I saw 'A Night at the Opera,' this Marx Brothers film, when I was, like, six years old. I just became obsessed, you know?
