Romany Malco (Romany Romanic Malco Jr.) Quotes
I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
Quotes to Explore
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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The film depends on the audience's belief in this relationship.
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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Good governance, safety, a chance to grow economically and professionally - those are important things.
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All my brother Eliot and I did as kids was film sketches.
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What made 'American Idol' different from 'The Voice' and all these other singing competitions... 'American Idol' just gave regular old normal people like me and like Trent a chance.
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In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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You can't say the public likes generic characters. Give others a chance, go for a more rooted and honest characterisation, take some risk, and then let the public choose.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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As an artist, you have to work really, really hard because you gotta make something that will allow people to even take the chance to even listen to it, you know?
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If the money's right, I'll do a film.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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I've done some luxury flying, which is brilliant. It has only happened once or twice, but it was nice because flying is the worst part of the holiday. But then again, if the plane crashes, you're still dead. For that much money I'd want a little capsule that whizzed me off to safety if it was going to crash.
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Why do people move? What makes them uproot and leave everything they've known for a great unknown beyond the horizon? ... The answer is the same the world over: people move in the hope of a better life.
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We don't want to act like adults. Anybody who can stay in a state of adolescence will be much better off later on. Look at people who are working nine-to-five jobs out of college, and look at professional skateboarders or guys in punk bands. See who's having more fun.
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I think this notion of acting and glamour is getting in everybody's way.
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I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
