Brian Christian Quotes
Our judgments betray our expectations, and our expectations betray our experience. What we project about the future reveals a lot—about the world we live in, and about our own past.

Quotes to Explore
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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I think I've explained earlier on in the year that I kind of underestimated how important experience was in this series, especially when you're up against such good quality drivers.
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Real love is a permanently self-enlarging experience.
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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Experience is what enables you to recognize a mistake when you make it again.
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For me, a novel is always the result of my attempt to impose myself on raw circumstances. It is a concrete form of lived experience.
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Experience is simply the name we give our mistakes.
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A woman experiencing an unplanned pregnancy also deserves to experience unplanned joy.
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Then I learned how to do wraparounds and things like that. I had no experience.
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I had no experience with broadcasting basketball games, so I took a tape recorder and went to a playground where there was a summer league, and I stood up in the top of the stands and I called the game.
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I had decided I wanted to write about food, and I knew the only way to do that is to speak with authority, which meant learning the language and knowing what that experience is like.
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Most regular, two-year MBA programs provide both experience and the capacity to link together the essential elements of management such as finance, marketing, organizational behavior, and operations.
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Sleep - the most beautiful experience in life - except drink.
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My uniform experience has convinced me that there is no other God than Truth.
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We who know personal religion by experience know that there is nothing on earth to compare with the moral force exerted by it. It has demonstrated its social efficiency in our own lives.
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There may be millions of fine thoughts, and the account of the experience on which they are based, all encased within stone walls of acceptable architectural form; but if the scholar can get at only one a week by diligent search, his syntheses are not likely to keep up with the current scene.
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The human face is the organic seat of beauty.... It is the register of value in development, a record of Experience, whose legitimate office is to perfect the life, a legible language to those who will study it, of the majestic mistress, the soul.
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Sitting down with the insightful Gabourey Sidibe was a wonderful experience.
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I want to stress again that human rights are not peripheral to the foreign policy of the United States. Our pursuit of human rights is part of a broad effort to use our great power and our tremendous influence in the service of creating a better world, a world in which human beings can live in peace, in freedom, and with their basic needs adequately met.
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Up until 35 I had a slightly skewed world view. I honestly believed everybody in the world wanted to make abstract paintings, and people only became lawyers and doctors and brokers and things because they couldn't make abstract paintings.
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One of the first gardens I did outside the family was for the designer Hattie Carnegie. I was 23 then, and I went to her salon, but could not afford any of her dresses myself, though I loved them. Miss Carnegie suggested I do a garden in exchange for a coat and dress, and so I designed and planted a garden for her.
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When I've seen my operas in Europe, they have always struck me as more American than when I hear them here. I can't tell you what that phenomenon is.
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I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.
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Our judgments betray our expectations, and our expectations betray our experience. What we project about the future reveals a lot—about the world we live in, and about our own past.