Brian Horrocks Quotes
Gentlemen, this is a story that you shall tell your grandchildren, and mightily bored they'll be.

Quotes to Explore
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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My husband and I, when we had our five children and they were grown, we thought we were entitled to grandchildren. And so we were just expecting this to happen; of course, nothing was happening. And then we kept begging, bribing, cajoling, anything - threatening to adopt our own grandchildren - and finally, we got some grandchildren.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I've been blessed with a wonderful husband, two caring daughters and sons-in-law, and four really special grandchildren. They have each enhanced my life.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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A good story gives you more of a license to be forward and progressive with the music.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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I try to tell a story musically in a song.
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A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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My children and grandchildren loved the secret servicemen and women that served us. I was honoured that they thought I was important enough to protect.
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I am deeply moved when I write. I get turned on by it. I've never used any drugs for stimulation. I don't use words loosely. When I'm working and the right word comes, there is an answering resonance within me. There is also a hardness of intention that goes with it. There is no idleness in it.
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The trick. . .is to find the balance between the bright colors of humor and the serious issues of identity, self-loathing, and the possibility for intimacy and love when it seems no longer possible or, sadder yet, no longer necessary.
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The most important thing is to stay positive.
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Gentlemen, this is a story that you shall tell your grandchildren, and mightily bored they'll be.